Harry Block
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Inside Gone Girl‘s 6K Review and Editorial Pipeline
The Fincher Feature Is Billed as the First Film Shot Entirely at 6K
By Bryant Frazer / Aug 12, 2014
Studio Daily
Folleto en pdf para descargar: Nvidia Case Study (botón derecho > "Guardar destino como...")
NVIDIA Demonstrates GPU Processing at SIGGRAPH
By Jon K. Carroll / Aug 18, 2014
Tom's Hardware
Video:
The Fincher Feature Is Billed as the First Film Shot Entirely at 6K
By Bryant Frazer / Aug 12, 2014
Studio Daily
Billed as the first feature film shot entirely at 6K resolution, David Fincher's Gone Girl is also the first studio feature edited entirely in Adobe Premiere Pro CC, by two-time Oscar-winner Kirk Baxter, ACE. Needless to say, Adobe is giddy about that news. And Nvidia, which makes GPUs that drive Adobe's hardware-accelerated Mercury Playback Engine, is almost as excited.
Folleto en pdf para descargar: Nvidia Case Study (botón derecho > "Guardar destino como...")
NVIDIA Demonstrates GPU Processing at SIGGRAPH
By Jon K. Carroll / Aug 18, 2014
Tom's Hardware
Video:
Mike Kanfer, Business Development Manager at Adobe, and Jeff Brue, postproduction supervisor for Gone Girl (an upcoming film starring Ben Affleck and directed by David Fincher), discuss shooting and postproduction of the film.
Gone Girl was shot in 6K on the RED Dragon camera and postproduction was done in Adobe Premiere Pro CC and Adobe After Effects CC. The offline edit was done in 2.5K ProRes and viewed in 1920x1080 HD. The systems used for this included seven HP z820 workstations with between 128 GB and 256 GB of RAM, and two 2011 Mac Pro systems. All machines were equipped with either the new K5200 or the top-of-the-line K6000 Nvidia GPUs.