Cannes 2024

está anunciando ahora todas las secciones Thierry Fremaux




la de Léos Carax a la sección Premiére, la sección "castigo" que enfadó a Erice el año pasado



una de Daniel Auteuil como director a una sesión especial
 

IN COMPETITION​


Opening Film

LE DEUXIÈME ACTE by Quentin DUPIEUX – Out of Competition
(THE SECOND ACT)



THE APPRENTICE by Ali ABBASI

MOTEL DESTINO by Karim AÏNOUZ

BIRD by Andrea ARNOLD

EMILIA PEREZ by Jacques AUDIARD

ANORA by Sean BAKER

MEGALOPOLIS by Francis Ford COPPOLA

THE SHROUDS by David CRONENBERG

THE SUBSTANCE by Coralie FARGEAT

GRAND TOUR by Miguel GOMES

MARCELLO MIO by Christophe HONORÉ

FENG LIU YI DAI by JIA Zhang-Ke
(CAUGHT BY THE TIDES)

ALL WE IMAGINE AS LIGHT by Payal KAPADIA

KINDS OF KINDNESS by Yórgos LÁNTHIMOS

L’AMOUR OUF by Gilles LELLOUCHE

DIAMANT BRUT by Agathe RIEDINGER | 1er film
(WILD DIAMOND)

OH CANADA by Paul SCHRADER

LIMONOV – THE BALLAD by Kirill SEREBRENNIKOV

PARTHENOPE by Paolo SORRENTINO

PIGEN MED NÅLEN by Magnus VON HORN
(THE GIRL WITH THE NEEDLE)
 

UN CERTAIN REGARD​



NORAH by Tawfik ALZAIDI
THE SHAMELESS by Konstantin BOJANOV
LE ROYAUME by Julien COLONNA | 1st film
VINGT DIEUX ! by Louise COURVOISIER | 1st film
LE PROCÈS DU CHIEN by Laetitia DOSCH | 1st film
(WHO LET THE DOG BITE?)
GOU ZHEN by GUAN Hu
(BLACK DOG)
THE VILLAGE NEXT TO PARADISE by Mo HARAWE | 1st film
SEPTEMBER SAYS by Ariane LABED | 1st film
L’HISTOIRE DE SOULEYMANE by Boris LOJKINE
THE DAMNED by Roberto MINERVINI
ON BECOMING A GUINEA FOWL by Rungano NYONI
BOKU NO OHISAMA by Hiroshi OKUYAMA
(MY SUNSHINE)
SANTOSH by Sandhya SURI
VIET AND NAM by TRUONG Minh Quý
ARMAND by Halfdan ULLMANN TØNDEL | 1st film

OUT OF COMPETITION​



SHE’S GOT NO NAME by CHAN Peter Ho-Sun
HORIZON, AN AMERICAN SAGA by Kevin COSTNER
RUMOURS by Evan JOHNSON, Galen JOHNSON, Guy MADDIN
FURIOSA : A MAD MAX SAGA by George MILLER

MIDNIGHT SCREENINGS​



TWILIGHT OF THE WARRIOR WALLED IN by Soi CHEANG
THE SURFER by Lorcan FINNEGAN
LES FEMMES AU BALCON by Noémie MERLANT
(THE BALCONETTES)
I, THE EXECUTIONER by RYOO Seung Wan

CANNES PREMIERE​



EVERYBODY LOVES TOUDA by Nabil AYOUCH
C’EST PAS MOI by Leos CARAX
EN FANFARE
by Emmanuel COURCOL
(THE MATCHING BANG)
MISÉRICORDE by Alain GUIRAUDIE
LE ROMAN DE JIM by Arnaud LARRIEU and Jean-Marie LARRIEU
RENDEZ-VOUS AVEC POL POT by Rithy PANH

SPECIAL SCREENINGS​



LE FIL by Daniel AUTEUIL
ERNEST COLE, LOST AND FOUND by Raoul PECK
THE INVASION by Sergei LOZNITSA
APPRENDRE by Claire SIMON
LA BELLE DE GAZA by Yolande ZAUBERMAN
 
14-25 Mayo
77 edicion del Festival de Cannes

"Barbie" Gerwig preside jurado de la edicion de este año
junto a ella en el jurado...
Bayona
Eva Green
Ebru Ceylan,
Lily Gladstone,
Nadine Labaki,
Pierfrancisco Favino,
Kore-eda
y Omar Sy.

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Lucas, La Palma
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Studio Ghibli de Miyazaki, tambien recibira Palma honorifica

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Peliculas Seccion oficial


Second Act, de Quentin Dupieux (Peli DE APERTURA)

Megalopolis, de Francis Ford Coppola

The Apprentice, de Ali Abbasi

Bird, de Andrea Arnold

Motel Destino, de Karim Ainouz

Emilia Perez, de Jacques Audiard

Anora, de Sean Baker

The Shrouds, de David Cronenberg

The Substance, de Coralie Fargeat

Grand Tour, de Miguel Gomes

Marcello Mio, de Christophe Honore

Caught by the Tides (Feng Liu Yi Dai), de Jia Zhang-Ke

All We Imagine as Light, de Payal Kapadia

Kinds of Kindness, de Yorgos Lanthimos

L’Amour Ouf, de Gilles Lellouche

Wild Diamond (Diamant Brut), de Agathe Riedinger

Oh, Canada, de Paul Schrader

Liminov – The Ballad, de Kirill Serebrennikov

Parthenope, de Paolo Sorrentino

The Girl With the Needle, de Magnus von Horn



FUERA DE CONCURSO

Furiosa, de George Miller

Horizon, an American Saga, de Kevin Costner

She’s Got No Name, de Chan Peter Ho-Sun

Rumors, de Evan Johnson, Galen Johnson, Guy Maddin



 
Está dando por sentado/a la identidad sexual de sus compañeres... Mal, Mari Juani, mal.
 
Soy al único al que le aburrió soberanamente la última de Mad Max, lo sé, lo sé... Pero es lo que hay.

Si la hubiera titulado Furry Road y se la hubiese dejado a John Waters, lo mismo...
 
Debes de ser el único, sí. Pero siempre se agradece tu punto de vista contracorriente.
 
Si nos fijamos en el porcentaje de aciertos de la corriente, me quedo más tranquilo.
 
el Calvo parece confirmar lo peor del trailer: digitalada a saco y Hemsworth raruno

pero le ha gustado mucho, of course
 
Arriba Pie