Luca Brasi
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- Ass-Kicking BonusView Mode: synchronous with the feature film, this multi-media presentation incorporates video and audio commentary, behind-the-scenes clips and illustrative graphics with co-writer/producer/director Matthew Vaughn, plus cast and crew providing an all-access perspective on Kick-Ass (BD-exclusive)
- Audio commentary with writer-director Matthew Vaughn
- Documentary: A New Kind of Superhero: The Making of Kick-Ass (BD-exclusive)
- Featurette: It's On! The Comic Book Origin of Kick-Ass
- Gallery: The Art of Kick-Ass
- Marketing archive
- BD Touch and Metamenu Remote
- Lionsgate Live™ enabled, featuring extra content for Internet-connected players
- Enhanced for D-Box™ Motion Control Systems
En la edición USA no hay ninguna posibilidad de que lleve castellano y pocas de que sea region free. La edición inglesa si que tiene muchas papeletas para estar en castellano, aunque todavía no hay detalles sobre los idiomas que incluirá.que garantias que la USA sea region free con pista audio castellano y la uk tenga pista audio castellano???
Kick-Ass is a bit of an oddity when it comes to the visual style of the film. I'd never go so far as saying this is merely average or even subpar when stacked up to other recent blockbusters, but there are frequent moments in the film where something feels slightly "off". Whether it's the bleeding brightness of a sun-drenched sky or the unstable coloring on Hit-Girl's purple wig, we're given an end product that almost takes on a surreal characteristic, enhancing the over-the-top nature of the film itself. Fortunately, this doesn't often extend into fine object detail, allowing most textures to reveal a sense of depth that rivals all but the best Blu-ray productions. I wish the same could be said of the coloring in the film, but as I mentioned before, there seems to be a hint of color-boosting in several shots that will surely catch the eye of the most discerning videophiles, making you wonder if your eyes are playing tricks on you. Likewise, you'll notice a degree of black level weakness in a handful of shots, as the transfer struggles to fend off a shift to gray--forcing contrast to steady the subtle shade differentiations in the moderately dark portions of the screen.
Gracias por la info.
Otra que me ahorro, aunque esté a 9,9 en MM.