Inteligencia Artificial

[Visper]

¡Ojo! Pues ya estaría:

 

[supermagh]

5.194 Reaktionen · 30 Mal geteilt | Sígueme para aprender de IA y Big Data! Hice un experimento con Chat GPT para poner a prueba su memoria y lo que me cuenta… y el resultado… no te asusta? #ia #openai #bigdata | Maxmaxdata

Sígueme para aprender de IA y Big Data! Hice un experimento con Chat GPT para poner a prueba su memoria y lo que me cuenta… y el resultado… no te asusta? #ia #openai #bigdata.

www.facebook.com

 

[Miguel_Angel]

Espero que consigan lo que venden.. y que puedas exportar el escenario con todo lujo de detalles y texturas perfectas!

SpAItial - The next dimension of intelligence

Pioneering team introducing spatial foundation models.

www.spaitial.ai

 

[Seaker]

El jefe de Huawei dice que EEUU exagera y que todavía no están al nivel de Nvidia a la hora de hacer tarjetas para IA.

No obstante, bajo mi opinión y esperando si pueden mejorar las fundidoras chinas, sus procesos, parece falsa modestia. No estará al nivel, pero están a un buen nivel y mejorando. Y los chinos tienen muchos ingenieros que buscarán maximizar las limitaciones, hasta que adelanten.

Huawei resta importancia a sus capacidades de fabricación de chips

El fundador de Huawei afirma que EEUU exagera las capacidades del fabricante de chips chino y resta importancia a la tecnología de su empresa en medio de las conversaciones...

www.expansion.com

 

[Lovekraft]

un freaky en linkedin me ha pasado esto para generar prompts

Prompt Generator | FRMWRKD

Create perfect AI prompts with our advanced image analysis tool. Get detailed cinematic descriptions, camera sequences, and optimized text for Midjourney, DALL-E, and Stable Diffusion.

www.frmwrkd.com

quieres testearlo @DeBilbao ?

 

[Lovekraft]

He hecho la prueba con esta imagen

y te saca esta info

Standard Veo2 Prompt

Copied!
A low-angle static shot of a terrifying supernatural entity with a grotesque tree-like head covered in gnarled bark and twisted branches. The creature's glowing amber eyes pierce through the darkness as writhing tentacle-like appendages emerge from its skull. The being is dressed in a formal dark navy business suit with a white dress shirt and striped tie, creating an unsettling contrast between corporate attire and monstrous form. The scene is bathed in an eerie teal-green atmospheric lighting that casts dramatic shadows across the creature's textured, organic features. The background reveals a misty, ethereal environment with ghostly silhouettes and supernatural fog. The camera remains perfectly still, emphasizing the creature's imposing presence and allowing viewers to absorb every horrifying detail of its bark-like skin texture and the way the branches seem to pulse with otherworldly energy. The lighting creates a cinematic horror atmosphere with deep shadows and highlights that accentuate the creature's intimidating stature and the bizarre juxtaposition of formal business wear against its nightmarish organic form.
Enhanced Veo2 Prompt

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A meticulously composed low-angle static shot captured with a standard 50mm lens, featuring a nightmarish corporate entity that defies natural law. The creature's head is a grotesque amalgamation of ancient tree bark, weathered and cracked, with deep crevices that suggest centuries of growth. Gnarled branches and twisted wooden appendages sprout chaotically from its skull, some thick as arms, others thin as fingers, all reaching toward the camera with menacing intent. Two piercing amber eyes glow with supernatural intensity from within the bark-like face, positioned where human eyes would be but radiating an otherworldly malevolence. The creature's mouth area is obscured by hanging bark strips and wooden tendrils that move with subtle, organic animation. The being is impeccably dressed in a well-tailored dark navy business suit, the fabric appearing expensive and professionally pressed. Underneath, a crisp white dress shirt contrasts sharply with the organic horror above, while a conservative striped tie hangs perfectly straight, creating an deeply unsettling juxtaposition between corporate professionalism and supernatural terror. The lighting setup employs a primary key light source from the upper left, casting dramatic shadows that accentuate every texture and crevice in the bark-like skin. A subtle fill light from the right prevents complete shadow blackout while maintaining the ominous atmosphere. The color palette is dominated by deep teals and forest greens, with the amber eye glow providing the only warm color accent. Practical lighting effects create an ethereal backlight that outlines the creature's silhouette against the misty background. The depth of field is carefully controlled to keep the creature in sharp focus while allowing the background to fall into a soft, atmospheric blur. Behind the entity, ghostly fog swirls in slow, hypnotic patterns, occasionally revealing shadowy forms that suggest other supernatural presences lurking in the darkness. The environmental atmosphere is thick with supernatural energy, visible as subtle particle effects and light distortions that enhance the otherworldly nature of the scene. The camera position emphasizes the creature's towering, intimidating presence, making viewers feel small and vulnerable in comparison. Every detail of the bark texture is rendered with photorealistic precision, from the rough outer surface to the smoother inner wood visible in the deeper cracks. The branches move with subtle, organic motion that suggests they are alive and aware, occasionally twitching or adjusting position in ways that defy physics. The formal attire remains perfectly maintained despite the creature's monstrous nature, with not a wrinkle or stain visible, adding to the surreal horror of the scene. The teal-green atmospheric lighting creates an underwater or otherworldly quality, as if the scene exists in a dimension where normal rules don't apply.
Creative Twist

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A dramatic static shot reimagined as a 1940s film noir scene, featuring the same tree-creature entity but now standing under a flickering streetlamp in a rain-soaked city alley. The creature's bark-textured head and writhing branches are rendered in stark black and white contrast, with dramatic shadows cutting across its formal business attire. Vintage cigarette smoke curls around the glowing amber eyes, while rain droplets streak down the creature's wooden features. The scene maintains the low-angle perspective but adopts the high-contrast lighting typical of classic detective films, with harsh shadows and brilliant highlights creating a timeless, cinematic atmosphere. The background features classic film noir elements like fire escapes and brick walls, all rendered in monochromatic tones except for those haunting amber eyes that retain their supernatural glow.

 

[DeBilbao]

Lo interesante es ver qué te genera con ese prompt, y aunque me parece una pasada la capacidad que tiene de interpretar la imagen, no veo que vaya muy fino.





Es una interesante herramienta, pero no veo que sirva mucho para copiar fotos.

Le he pedido que analice la icónica foto de la chica afgana de Steve McCurry.



Me ha generado este prompt avanzado para Veo2

A cinematic medium close-up static shot captured with a standard 85mm lens at f/2.8, featuring a young woman with extraordinary pale green eyes wrapped in a traditional rust-colored headscarf. The camera positioning is at eye level, maintaining perfect focus on her penetrating gaze directed straight into the lens. Her face emerges from the weathered red-orange fabric that envelops her head and drapes over her shoulders, with wisps of dark chestnut hair escaping from beneath the covering. The cinematography employs a three-point lighting setup with a soft key light positioned slightly camera left, creating gentle modeling on her face while avoiding harsh shadows. A subtle fill light from camera right ensures detail retention in the shadow areas, particularly around her eyes and the fabric folds. The background is rendered in a beautiful teal-green bokeh, created through shallow depth of field that isolates the subject completely from her environment. The color palette is dominated by the complementary relationship between the warm terracotta tones of her headscarf and the cool aqua background. Her skin tone appears natural and lived-in, with subtle freckling and texture that speaks to exposure to outdoor elements. The fabric of her covering shows authentic wear patterns, with natural creases and slight fading that suggests this is a frequently worn garment. The material appears to be cotton or linen blend with a slight sheen that catches the key light beautifully. Her eyes are the absolute focal point of the composition, with their unusual pale green color enhanced by the soft lighting setup. The irises show remarkable detail and depth, with subtle variations in color from the pupil outward. Her eyebrows are naturally shaped and slightly arched, framing her eyes perfectly. Her expression carries weight and intensity, with slightly parted lips that suggest she might speak at any moment. The overall emotional tone is one of quiet strength and dignity, with an almost haunting quality created by her direct gaze. The lighting creates a subtle rim light effect around the edges of her face and the fabric, adding dimensional separation from the background. The camera remains completely static throughout, allowing the viewer to become absorbed in her compelling presence. The color grading emphasizes earth tones in the midtones while maintaining cooler highlights and shadows. The overall atmosphere is intimate and portrait-like, reminiscent of classical documentary photography styles. Environmental details are minimal, keeping complete focus on the subject herself and the powerful emotional connection created through her direct gaze into the camera.

Se lo he pasado a ImageDX, y la chica afgana ha pasado a ser del norte de Europa...





Segundo intento, una foto del Cervino (Matterhorn)

Me ha generado este prompt:

A carefully composed low-angle static shot utilizing a wide-angle lens to capture the full majesty of the Matterhorn's iconic pyramid peak rising dramatically against an azure Swiss Alpine sky. The camera position is strategically placed to showcase the mountain's imposing 4,478-meter summit while maintaining clear sightlines to the Gornergrat railway in the foreground. The distinctive red and blue electric train, featuring the classic Swiss mountain railway design with large panoramic windows, travels slowly along the rack railway system at approximately 25 km/h, its movement creating gentle kinetic energy against the static mountain backdrop. The overhead electrical system with steel support poles and cables creates strong geometric lines that lead the eye toward the mountain. Natural daylight illuminates the scene with high-altitude clarity, creating crisp shadows and brilliant highlights. The key lighting comes from the sun positioned at a moderate elevation, casting the Matterhorn's north face in dramatic relief while fully illuminating its snow-covered ridges and rocky outcroppings. The mountain's characteristic triangular silhouette displays its famous knife-edge ridges, with the Hörnli ridge clearly visible on the northeast face. Glacial formations including the Matterhorn glacier are evident on the mountain's flanks, their blue-white ice contrasting against the dark metamorphic rock. The foreground features典型的Alpine meadow vegetation with vibrant emerald grass, scattered with hardy mountain flora. Evergreen trees, primarily Norway spruce and Swiss stone pine, dot the landscape in irregular clusters, their dark green foliage providing color balance. The middle ground shows the characteristic moraine formations and glacial valleys carved by millennia of ice movement. The railway infrastructure includes concrete sleepers, steel rails, and the distinctive rack rail system necessary for the steep gradients. The train's livery shows weathering appropriate for mountain service, with the red paint slightly faded and the blue sections showing natural patina. Atmospheric perspective creates subtle haze in the distant peaks, while the immediate foreground maintains sharp focus. The color palette emphasizes the primary blue of the cloudless sky, the brilliant white of fresh snow, the rich greens of Alpine vegetation, and the warm earth tones of exposed rock and railway ballast. Cloud formations are minimal but include wispy cirrus clouds catching on the Matterhorn's peak, a phenomenon known locally as the 'banner cloud.' The depth of field maintains sharp focus from the immediate foreground railway elements through to the mountain peak, utilizing the wide-angle lens's natural characteristics. The composition follows classical landscape principles with the mountain peak positioned slightly off-center according to the rule of thirds, while the railway creates a strong diagonal leading line. Environmental details include the characteristic U-shaped valley formation, evidence of glacial activity, and the typical Alpine ecosystem transition from valley floor vegetation to alpine conditions. The lighting quality reflects the thin atmosphere at 3,000+ meter elevation, creating enhanced contrast and color saturation typical of high-altitude photography.

Y me ha salido con esto...

 

[Lovekraft]

si, como hacer una primera refe del prompt puede servir pero claro fino, fino... no es...

 

[Henry Morrison]

Hoy he estado a punto de eliminar mi cuenta de ChatGPT de la FRUSTRACIÓN que he experimentado

Uso siempre ChatGPT para las mismas cosas:

-Pedirle que me ayude a reescribir viejos programas escritos en BASIC a Python
-Pedirle que analice mis relatos y novelas a medio escribir para pulir erratas, errores ortográficos o inconsistencias.

Hoy le he pasado varias páginas de mi nueva novela, una pseudo (subrayo el pseudo) novela de aventuras libremente basada en la Antigua Roma. Pues bien, a determinado momento, ChatGPT me dice que "no puede seguir analizando" y me sale un cartelito rojo de "contenido peligroso" o algo así.

Tras investigar un poco, veo que el problema está en una intriga palaciega gestada en una conversación de almohada entre dos amantes, que son tío y sobrina. Al parecer, ChatGPT no puede aceptar ni implicarse en nada que tenga que ver con el incesto... aunque es el propio ChatGPT el que retuerce las cosas, tergiversando y mintiendo con total frescura para acercar el ascua a su sardina.

Achaca a ese fragmento "Abuso sexual familiar" (que no lo es) "consentimiento imposible", "normalización acrítica del incesto" "Detalles explícitos e inapropiados"...

Le explico que:

-En la Antigua Roma, las cosas no eran necesariamente como son ahora. Me extiendo sobre el tema
-Que aunque no cabe duda de que se trata de una relación incestuosa, los elementos de abuso sexual que él ve, no existen en mi novela. Que ambos personajes sobrepasan los 25 años, se conocieron siendo adultos y no existe entre ellos una relación forzada o abusiva

ChatGPT insiste en que "aunque tú como autor no lo veas, yo como crítico sí veo abuso...".

Hacia la mitad de la conversación, ChatGPT demuestra que es capaz de mentir descaradamente e inventar datos cuando eso le ayuda en su postura, cuando en un texto me suelta algo como "Yo no puedo ayudar a corregir o promocionar un texto que incluye abuso sexual infantil..."

Y yo, claro, ¿MANDE? ¿Como que abuso sexual infantil? ¿Eso donde lo has leído? En mi novela no, seguro. Que esto es Yo, Claudio, no A serbian film. Uno de los personajes tiene 34 años, el otro 28, y se conocieron hace 4 años. A pesar de que ChatGPT recula, luego en la conversación vuelve a INSISTIR en el "abuso sexual infantil" ignorando que le he dado una cronología completa de edades y relaciones de los personajes. Y en ningún momento acepta que esa relación que le describo pueda existir libremente, sin un componente de violencia, coacción o dominación.

Hacia el final, cansado y recordando aquello que decía Sarah Connor en Terminator "estás hablando con una máquina" abandono mis intentos de que vea mi relato desde cualquier posición que no sea la crítica por presentar un incesto sin elementos de abuso o violación, y le pregunto, si quisiera publicarlo, ¿a qué sector de público me recomendarías dirigirlo?

Su respuesta: A NINGUNO. Teniendo en cuenta los "graves riesgos éticos" (sic) no creo que esta historia hoy en día sea publicable, blablabla...

Lo curioso es que después de borrarle la memoria y plantearle las mismas preguntas, ha sido menos confrontativo, y sí me ha dado unos consejos de publicación. Es como si en nuestra primera conversación, la bicha se hubiera emperrado tanto ahí en que no, y cualquier cosa que yo le decía la movía a una negatividad absoluta. Curioso cuanto menos.

PD: No me borro la cuenta porque tengo una tonelada de archivos escritos en BASIC, que si no, me lo planteaba

 

[Tiberiuz]

Es como si en nuestra primera conversación, la bicha se hubiera emperrado tanto ahí en que no, y cualquier cosa que yo le decía la movía a una negatividad absoluta. Curioso cuanto menos.

Joder, como las personas....

 

[Manu1001]

Como las personas no, como las mujeres, que casi podría decirse que son seres humanos ...