"Frozen, el reino del hielo": el cuento de "La reina de las nieves" by Disney

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Descripción de personajes junto a las imagenes.

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Anna (voice of Kristen Bell)
Anna is more daring than graceful and, at times, can act before she thinks. But she’s also the most optimistic and caring person you’ll ever meet. She longs to reconnect with her sister, Elsa, as they were close during their childhood. When Elsa accidentally unleashes a magical secret that locks the kingdom of Arendelle in an eternal winter, Anna embarks on a dangerous adventure to make things right. Armed with only her fearlessness, a never-give-up attitude and her faith in others, Anna is determined to save both her kingdom and her family. less

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<h2>Duke of Weselton (voice of Alan Tudyk)
What the Duke of Weselton lacks in stature, he makes up for in arrogance and showboating. He’s determined to get close to the new queen—that is, until Elsa’s magical secret is revealed. Then he’s the first to call her a monster and try to turn her own kingdom against her—anything that might help him exploit Arendelle’s tradable goods.

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Elsa (voice of Idina Menzel)
From the outside, Elsa looks poised, regal and reserved, but in reality, she lives in fear as she wrestles with a mighty secret—she was born with the power to create ice and snow. It’s a beautiful ability, but also extremely dangerous. Haunted by the moment her magic nearly killed her younger sister Anna, Elsa has isolated herself, spending every waking minute trying to suppress her growing powers. Her mounting emotions trigger the magic, accidentally setting off an eternal winter that she can’t stop. She fears she’s becoming a monster and that no one, not even her sister, can help her.

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Hans (voice of Santino Fontana)
Hans is a handsome royal from a neighboring kingdom who comes to Arendelle for Elsa’s coronation. With 12 older brothers, Hans grew up feeling practically invisible—and Anna can relate. Hans is smart, observant and chivalrous. Unlike Elsa, Hans promises he’ll never shut Anna out; he just might be the connection she’s been waiting for all these years.



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Kristoff (voice of Jonathan Groff)
Kristoff is a true outdoorsman. He lives high up in the mountains where he harvests ice and sells it to the kingdom of Arendelle. Rough around the edges, Kristoff’s the strong, no-nonsense type, who follows his own set of rules. He may seem like a loner, but he always has his best friend by his side—a loyal and extremely mangy reindeer named Sven.



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Marshmallow
Marshmallow is an enormous icy snowman born from Elsa’s powers. He serves as a brute bodyguard charged with keeping intruders away from her ice palace. The menacing white beast doesn’t say much, but he packs a powerful punch.



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Oaken (voiced by Chris Williams)
Oaken runs Wandering Oaken's Trading Post and Sauna. But since Elsa’s massive winter storm hits in mid-July, he finds himself with a surplus of summer supplies. Deal-seekers beware: though he’s good-natured and helpful, if you cross him, Oaken won’t hesitate to throw you out of his humble establishment.



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Olaf (voice of Josh Gad)
He’s Olaf and he likes warm hugs. Sprung from Elsa’s magical powers, Olaf is by far the friendliest snowman to walk the mountains above Arendelle. His innocence, outgoing personality and uncanny ability to disassemble himself at good and not-so-good times lead to some awkward, albeit laughable moments. He may also have the world’s most impossible dream, but what he doesn’t know won’t melt him—or will it?



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Sven
A reindeer with the heart of a Labrador, Sven is Kristoff’s loyal friend, sleigh-puller and conscience. He makes sure his mountain-man companion is the stand-up guy Sven knows and loves, and does so without saying a word. A few emphatic snorts usually get his point across. Life would be perfect if only Kristoff would lose that ridiculous reindeer voice he likes to use when speaking for Sven (as if reindeers really talk that way).

Y entrevista:

http://movies.yahoo.com/blogs/movie-talk/frozen-directors-put-next-animated-disney-classic-ice-182032518.html

Disney and imagination go hand in hand, but Jennifer Lee probably never imagined she'd be bringing the next animated Disney classic to the silver screen for her first directing gig.

Alas, that's exactly where the "Wreck-It Ralph" writer finds herself: directing "Frozen" – a musical, comedy, adventure set in a winter wonderland filled with a magical snowman, head-strong reindeer, mystical trolls, and Kristen Bell. Fortunately, Lee has Disney veteran Chris Buck ("Surfs Up," "Tarzan") as her co-director.


And fortunately for us, we had the opportunity to catch up with the dynamic duo to find out more about Disney's "next classic," which opens November 27, 2013.


So, talk to me, we’re doing the next great Disney adventure, Frozen. What do fans need to know?

Chris Buck: It's a big, epic, comedy. It's set in a Scandinavian type environment. Big adventure; it really is; it's a lot bigger than I thought this movie was going to be in scope and size. Yeah, I mean it’s coming along very well and we’re excited to soon share it with everyone.


Is there more to story that you can share?


Jennifer Lee: We have two very strong main female characters, Anna and Elsa who are sisters, one of them, Anna, is sort of the ordinary hero. She does not have special powers. She’s very funny, perky, weird in good way, and fearless. And then she has an older sister who has a special power, so we have a big super hero sister who is in trouble and has caused some problems. So, it’s very much a film about the ordinary hero who can do extraordinary things, and that’s Anna, and the power of family.

CB: And the family aspect will work for everyone: brothers, sisters, whatever. So, I think we found that emotional connection for the story a while ago and it's hung on and it has become the real lynchpin for most of the story.

Is that what makes it different from the archetypal Disney film?

JL: There's a lot of classic tradition that we don’t want to step on, that we really enjoy about Disney, but we also wanted to make some very strong female characters, which we’ve done, and who we think hopefully girls will really relate to, and not just sisters. They are different types and they have their own powers in a way, and even the one that doesn't have super powers.


I think also that the movie, the story itself is big and complex. It’s not just a simple tale. It’s one that starts with great characters you meet and relate to but they end up on a journey that gets bigger and bigger with a lot of surprises. So, I think we’ve really pushed the scope of the film bigger than anything we’ve done before.


Wow. That’s quite a statement. Where did the initial inspiration for the story come from?

CB: Well, our initial inspiration is from the Hans Christian Andersen story, "The Snow Queen." But we took off from that. I think the only thing we really have left from that is the character that is a snow queen type of character, but we made it our own. So, it’s loosely inspired. And we’ve moved on and made it quite different, and for today’s audiences too.

JL: We wanted to do something that was timeless but timely. So, we’re really playing with scenes that we hope people really relate to in the modern day.

How much do the characters change once you get the actual cast involved?

JL: It depends. You always find that you’re influenced by the talent, for sure, but in some ways I find it more influences the animation. The actors are so inspiring that we work with, and the animators will watch them as they act, and you find it’s more about taking mannerisms. But the cast comes in at all different stages. So, in some cases we’ve got them fully rigged and designed, and others we take influence from the voice we hear and it sort of shapes the looks. Oaken was a character that the voice that we were using, we fell in love with, and it really informed the look at him. It made us laugh to think that he was this big guy with a sweet, quiet voice and little mannerisms. So, it’s a little fluid.

How did Kristen Bell influence Anna?

CB: Kristen, her personality is just so fun and so energetic. We had an Anna character but Kristen really came in and pushed it and made it even funnier and even sweeter I think, and more believable as a three-dimensional character. They all influence our characters in that way. They come and round out the characters a bit. We play to their strengths, so, they’ll come in for their first session and we really see how the material works. And then, Jen will go off and sort of write with the next pass of the movie before we get them in again for recording sessions. She'd write knowing exactly what's in their wheelhouse. What works best for them. So it’s kind of chicken and the egg kind of thing. We go back and forth a lot between each other.


JL: Olaf was very much a sketch until we had Josh Gad, and then we would just get in the room and play and we’d have a lot of fun and that’s really how we found his voice specifically and how he looks at the world. It really was working with Josh that did that.
Judging from the teaser trailer, you’ve done great work with that. It’s very entertaining. I had a laugh out loud moment, where Olaf's head disappears.

CB: The fun part of Olaf, we learned early on that his body parts can fall apart and we knew that we would want to take full advantage of that. You will see quite a bit more of that in the movie in a surprising way.
Speaking of Josh, there is a "Book of Mormon" connection, also with the original music.


So, would you say there is some subversive humor?

CP: With Bobby [Robert] and Kristen Lopez doing the songs for us, Bobby certainly brings that edge. It's a bit surprising. I shouldn't say edge. I mean he does bring a whimsy to it. It still can be fairly adult at times. You know, the adults will get it and then if the kids don't, it won't matter, they'll still enjoy the songs for what they are. But, I really enjoy the songs and I think a lot of people will and have already, people that have seen it. I think it takes the Disney music to a slightly different place, which I think is refreshing.

One final question for you. At the beginning of the interview, you said that this film became bigger than you first thought it would be. Could you go further into that? What do you mean by that and how did that happen?

CB: Well, it's just the scope of the movie. When you have your first draft and it's all on paper and you're just reading it and thinking, “This could be a nice story. There's some fun here, and there's a nice build between the relationships." And when you start really developing it, at least visually, you start to go, “Oh. My. Gosh!” You know, these huge sort of "Lawrence of Arabia" landscpaes and just this epic feel to the movie. You realize you have got a bigger thing going on.


And then adding to that, as you develop the story, we made a lot of changes as we went, especially when Jen jumped on as our writer. The emotional depth of the story, that really grew, so that became bigger also, the relationship between the sisters. After a while, you go, “Wow, what have we done?” But in a good way. Now I look back and this is really, really quite stunning. But we still haven't finished it. We still have a lot of big shots yet to come.

JL: Shoutout to our art director, Mike Giaimo. We had a whole team that went to Norway to study the fjords there particularly and the look of that area is just stunning and the costumes, and everything is so specific and special and yet again, all set against this giant winter landscape. Part of it too as everyday we see more and more of all the shots coming together. The amount of detail, it makes this world come alive in a way that you don't realize how big it’s going to be when it's just on the page.

This is your first time directing, Jen. Was there other stuff that just became much bigger than you imagined?

JL: I think the biggest thing for me is how much fun directing is and how hard writing is. That's a new perspective that I now have.


I guess something bigger than I expected is the legacy of Disney, probably. The pressure of knowing that you are hoping to contribute to this canon that's extraordinary and loved by so many. That's felt every second of the day, I think.

CB: We actually joke about it too. It's like, “Okay, we're working on the next classic." And we haven't finished it yet!


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Poquitas ganas le tenía, pero conforme aparecn cositas nuevas me va entrando el hype.
Al final estará bien y todo
 
Enredados y Rompe Ralph son EXCELENTES, sobre todo la primera.

Así que para mí es lo más esperado del momento. :hail
 
Rompe Ralph no es mi tipo de película, pero reconozco que estuvo muy decente, mucho más de lo que podría pensar.
Enredados es simplemente un clasicazo Disney desde ya, maravillosa.
 
Mubis:
http://www.mubis.es/noticias/primer-cartel-espanol-de-frozen-el-reino-del-hielo

(después del poster datos sobre la peli)

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Notas sobre Frozen, El Reino del Hielo

Kristen Bell (voz en inglés de Anna) ha protagonizado una gran variedad de títulos cinematográficos, entre los que se incluyen las comedias Forgetting Sarah Marshall y Couples Retreat, y los próximos estrenos: Hit & Run, Some Girls y la película de los hermanos Farrelly Movie 43. En televisión, Bell actualmente protagoniza la serie de Showtime “House of Lies”, junto con Don Cheadle; además protagonizó las series “Heroes” y “Veronica Mars”. Entre sus créditos en Broadway se encuentran: The Crucible y Tom Sawyer.

Idina Menzel, quien obtuvo un premio Tony a la Mejor Actriz en un Musical por su papel de Elphaba en el musical de Broadway Wicked (2004), logró su primer papel en Broadway en 1995 en el musical merecedor de un premio Tony Rent. Entre sus créditos cinematográficos se incluyen Encantada y la película Rent. Menzel ha interpretado un rol recurrente en la serie de televisión “Glee” y recientemente presentó “Idina Menzel Live. Barefoot at the Symphony”, un concierto en vivo con una orquesta dirigida por el compositor y director Marvin Hamlisch. Menzel actualmente se encuentra realizando una gira de conciertos por Norteamérica.

Jonathan Groff participo de “C.O.G.,” que formará parte del Sundance Film Festival del año próximo. Entre sus créditos cinematográficos se encuentran “Taking Woodstock,” “Twelve-Thirty” and “The Conspirator.” En television, Groff participo de la serie de Fox “Glee”, y la serie de Starz “Boss” y “The Good Wife.”, de ¨CBS’. Fue nominado a los premios Tony® por su actuación en el musical “Spring Awakening,” ganador de un premio Tony® y participó en la reposición de “Hair” en el Teatro Público, así como también en las obras independientes “Prayer for My Enemy” y “The Submission,” entre otras. Su debut teatral fue en el West End con la obra “Deathtrap de Ira Levin,y en el 2010 participó de “Red” la obra ganadora de un premio Tony®, dirigida por John Logan, en el Mark Taper Forum.

Robert Lopez es un premiado compositor, tres veces galardonado con un premio Tony, autor del musical ganador de un premio Tony y un Grammy®: The Book of Mormon, que co-escribió junto con Trey Parker y Matt Stone (“South Park”); y del musical Avenue Q, que permaneció seis años en Broadway y cuatro años en el West End londinense. Lopez se reunió con su esposa Anderson-Lopez —cuyo musical ganador de un premio Drama Desk In Transit se estrenará en Broadway— para componer las canciones originales de la película de 2011 WINNIE THE POOH, la versión teatral de Buscando a Nemo y un nuevo musical denominado Up Here.

El director Chris Buck dirigió el clásico de Disney de 1999 TARZÁN (con Kevin Lima), así como la película de 2007 nominada a los premios Oscar® Surf’s Up (con Ash Brannon). Entre sus créditos en animación también se incluyen el largometraje de 1989 LA SIRENITA, LOS RESCATADORE EN CANGUROLANDIA (1990) y POCAHONTAS (1995).

La directora y guionista Jennifer Lee es una de las autoras de la exitosa comedia de aventuras del mundo de los videojuegos estrenada este año: ROMPE RALPH. Su adaptación a la pantalla de la novela de John Steinbeck The Acts of King Arthur and His Noble Knights es producida por Troika Pictures. Lee posee un guión original en desarrollo con la productora de Leonardo DiCaprio, Appian Way, y su guión original: Lucid Dreams fue seleccionado por Radiant Productions de Wolfgang Peterson.

Entre los créditos cinematográficos de Peter Del Vecho como productor se incluyen: la película de 2011 WINNIE THE POOH y el largometraje animado de 2009 TIANA Y EL SAPO. Además se desempeñó como productor asociado en las películas CHICKEN LITTLE y EL PLANETA DEL TESORO.
Hacer clic para expandir...
 
Fijaos lo poco que pega el puto muñeco de nieve con lo demás que en los posters parece INSERTADO en plan meme.
 
Dos minutos y pico de trailer y ya ABORREZCO al puto MUÑECO DE NIEVE.

Aaaaay, Pascal, te echo de menos... :garrulo

Y... ¿es cosa mía o la calidad brilla por su ausencia? Las texturas de la tela, o cuando se ve el pueblo por ejemplo... parece como dicen por ahí arriba, de una peli BARBIE.

Maaaaal rollitoooooo
 
Es que es eso. Las texturas no lucen, no transmiten nada. No hay nada que me atraiga como una peli Disney más allá de algún destello en algún diseño de los secundarios pero esto no me acaba de cuadrar del todo. Lástima.

Que luego todo será aplausos pero que vamos. Lo de siempre.
 
Vaya campaña de marketing....tela...:roto2
Quiero creer que la película luego valdrá la pena... no puedo evitar tener a Rapunzel en la cabeza (promoción para :pota y a posteriori resultó un producto :hail)
 
Tiene buena pinta. :)

Sobre las calidades técnicas yo no me preocuparia. Es un trailer. No siempre nos enseñan el producto acabado.
 
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