Nicolas Cage arruinado
- Autor nogales
- Fecha de inicio
Lennoniano
22/11/63
Yastamos AGAIN 
Lennoniano
22/11/63
Zander HA VUELTO a LAS ANDADAS.
Lennoniano
22/11/63
¿Y ésa pregunta a qué viene?
Lennoniano
22/11/63
Elliott
Desconozco
joder, si va a Sitges!
(como ANON... ejem)
(como ANON... ejem)
Lennoniano
22/11/63
La he estado ojeando un poco y esto no puede tener término medio...
Estamos ante una obra maestra o la PUTA MIERDA de la década.
Estamos ante una obra maestra o la PUTA MIERDA de la década.
Última edición:
Hinomura Krycek
Bayofilo
OBRA MAESTRA QUE DUDA CABE.
Elliott
Desconozco
"ojear pelis"
Lennoniano
22/11/63
¿Nunca has "ojeado" un ripeo?
Elliott
Desconozco
lo acabo de "ojear" y si, se ve intensita...
xton
Miembro habitual
¿No habrás querido decir, "QUE DUDA, CAGE"?
Trelkovsky
Anti-netflix
No vale nah, como la anterior del pavo este.
Vuelvo a mi exilio de no ver pelis.
Vuelvo a mi exilio de no ver pelis.
Peter Jackson
Pizza Time Dude!
Obra Maestra
Es una pesadilla filmada que te atrapa por dentro y no te suelta.
Un viaje LSD al estilo Jodorowsky y musicaza de Johannson,
Es una pesadilla filmada que te atrapa por dentro y no te suelta.
Un viaje LSD al estilo Jodorowsky y musicaza de Johannson,
Hinomura Krycek
Bayofilo
En su póstuma banda sonora.
Dave Mustaine
Miembro habitual
Y sonando starless de King Crimson al comenzar...épico.
Hinomura Krycek
Bayofilo
Nic nos confiesa su método de actuación:
LA SINCRONIZACIÓN ARTÍSTICA DEL TROBADOR.
“I had made a decision a long time ago that I wasn’t only going to explore naturalistic acting. I would do that sometimes – like I did in ‘Joe’ – but I also wanted to look at some of my other inspirations. I believed in art synchronicity, that what you can do in one art form, you can do in another.
So if I wanted to be abstract, like imitating Edvard Munch’s ‘The Scream,’ as I did in ‘Ghost Rider,’ I could do that. If I wanted to be more operatic or Western kabuki, I could do it. And I’m not the first.
Look at James Cagney in ‘White Heat,’ when he says ‘Top of the world, ma!’ Was that realistic? Hell no. Was it exciting and truthful? Hell yeah. Or Richard Burton in ‘Night of the Iguana,’ or Bruce Lee in ‘Enter the Dragon.’ The list goes on and on about these old troubadours who embraced a kind of charismatic and larger-than-size stylization. A grandeur, if you will.
I have to be honest. I did make certain choices to realize my abstract and more ontological fantasies with film performance, by playing people who were crazy, or by playing people who were on drugs, or supernaturally possessed – so that I have the license, if you will, to explore the German Expressionistic style of acting, or the Western kabuki. Whatever you want to call it.”
LA SINCRONIZACIÓN ARTÍSTICA DEL TROBADOR.
“I had made a decision a long time ago that I wasn’t only going to explore naturalistic acting. I would do that sometimes – like I did in ‘Joe’ – but I also wanted to look at some of my other inspirations. I believed in art synchronicity, that what you can do in one art form, you can do in another.
So if I wanted to be abstract, like imitating Edvard Munch’s ‘The Scream,’ as I did in ‘Ghost Rider,’ I could do that. If I wanted to be more operatic or Western kabuki, I could do it. And I’m not the first.
Look at James Cagney in ‘White Heat,’ when he says ‘Top of the world, ma!’ Was that realistic? Hell no. Was it exciting and truthful? Hell yeah. Or Richard Burton in ‘Night of the Iguana,’ or Bruce Lee in ‘Enter the Dragon.’ The list goes on and on about these old troubadours who embraced a kind of charismatic and larger-than-size stylization. A grandeur, if you will.
I have to be honest. I did make certain choices to realize my abstract and more ontological fantasies with film performance, by playing people who were crazy, or by playing people who were on drugs, or supernaturally possessed – so that I have the license, if you will, to explore the German Expressionistic style of acting, or the Western kabuki. Whatever you want to call it.”
Elliott
Desconozco
que grande
xton
Miembro habitual
que mayor
Jesse Custer
Miembro habitual
Este tío es la ostia