Hinomura Krycek
Bayofilo
Pacino se ha puesto trofollo.
El irlandés / The irishman: Scorsese - DeNiro - Pacino - Pesci
- Autor Atreyub
- Fecha de inicio
nogales
Miembro habitual
y Pesci se parece cada vez mas a George A. Romero
Hinomura Krycek
Bayofilo
“Irishman” First Reactions: ‘It’s A Masterpiece’
“THE IRISHMAN – Audacious, epic, a film that feels like it spans lifetimes yet whisks by. Technically bold, performances raw and darkly humourous, it is the culmination of Scorsese’s genre fascinations, and a late-career triumph. Truly cinematic, demanding to be seen big #nyff57” – Jason Gorber
“THE IRISHMAN is like a greatest hits album from a master of the medium. Yes, that’s a positive. The artifice of de-aging is more feature than bug. It’s not “slow.” It often moves like lightening & elsewhere it’s downright Bressonian.” – Eric Kohn
“THE IRISHMAN is not GOODFELLAS/CASINO part 3. Different pace different tone. It is, however, absolutely fucking fantastic and I am floored. All hail the King.” – Jordan Hoffman
“THE IRISHMAN is good! takes 90 minutes to lock in & clear out the cobwebs / adjust to CGI, but the scope is a virtue, the performances are killer (Joseph! Frank! Pesci!) & it eventually coheres into a heart-stopping meditation on the myopia of time. An old man movie for the ages.” – David Ehrlich
“THE IRISHMAN: Pacino unhinges his jaw and swallows this thing whole like a python choking down a gazelle carcass, berserker mode king s–t” – Charles Bramesco
“THE IRISHMAN is a masterwork. Funny, epic, and most of all, melancholy. It’s Scorsese confronting aging, legacies, and mortality. I may or may not have teared up at the end..” – Chris Evangelista
“Martin Scorsese’s bid to make his CITIZEN KANE is pretty close to a masterpiece. De Niro, Pacino, Pesci are all firing on all cylinders, and the 3+ hour runtime rarely drags. The de-aging effects are rough but I couldn’t imagine this sprawling saga without De Niro the entire time” – Hoai-Tran Bui
“THE IRISHMAN: Think GOODFELLAS, but directed by the man who gave us SILENCE. A culmination, meditation and tribute to every Scorsese/De Niro/Pesci collaboration. And yet, Al Pacino towers over all of them with a funny, sad and haunting performance as Jimmy Hoffa.” – Jordan Ruimy
“#TheIrishman is Scorsese’s version of “On the Waterfront” meets “The Godfather,” almost a swan song with an added layer of nostalgia for his own past work. The editing is particularly excellent and all three actors are strong #NYFF57 #NYFF” – J. Don Birnam
“Boy. #TheIrishman is a fitting homecoming for De Niro, Pacino, Pesci, and Scorsese’s ode to gangster cinema. Hilarious and sharply written. A portrait of mortality and legacy, told like a culmination of everything we have ever seen in this genre. It’s LONG but never boring. #NYFF” – Kevin L. Lee
“I wish I could take a photo in he dark of all these people on their phones doing twitter hot takes on #TheIrishman. Here’s mine: it’s middle of the Scorsese pack. Def more of a sober character study than classic tense mob thriller. I suspect the word “masterpiece” is going to be thrown around a lot. I wouldn’t go that far. But the acting is (of course) top top top. Pacino especially. ” – Mara Reinstein
“THE IRISHMAN – Audacious, epic, a film that feels like it spans lifetimes yet whisks by. Technically bold, performances raw and darkly humourous, it is the culmination of Scorsese’s genre fascinations, and a late-career triumph. Truly cinematic, demanding to be seen big #nyff57” – Jason Gorber
“THE IRISHMAN is like a greatest hits album from a master of the medium. Yes, that’s a positive. The artifice of de-aging is more feature than bug. It’s not “slow.” It often moves like lightening & elsewhere it’s downright Bressonian.” – Eric Kohn
“THE IRISHMAN is not GOODFELLAS/CASINO part 3. Different pace different tone. It is, however, absolutely fucking fantastic and I am floored. All hail the King.” – Jordan Hoffman
“THE IRISHMAN is good! takes 90 minutes to lock in & clear out the cobwebs / adjust to CGI, but the scope is a virtue, the performances are killer (Joseph! Frank! Pesci!) & it eventually coheres into a heart-stopping meditation on the myopia of time. An old man movie for the ages.” – David Ehrlich
“THE IRISHMAN: Pacino unhinges his jaw and swallows this thing whole like a python choking down a gazelle carcass, berserker mode king s–t” – Charles Bramesco
“THE IRISHMAN is a masterwork. Funny, epic, and most of all, melancholy. It’s Scorsese confronting aging, legacies, and mortality. I may or may not have teared up at the end..” – Chris Evangelista
“Martin Scorsese’s bid to make his CITIZEN KANE is pretty close to a masterpiece. De Niro, Pacino, Pesci are all firing on all cylinders, and the 3+ hour runtime rarely drags. The de-aging effects are rough but I couldn’t imagine this sprawling saga without De Niro the entire time” – Hoai-Tran Bui
“THE IRISHMAN: Think GOODFELLAS, but directed by the man who gave us SILENCE. A culmination, meditation and tribute to every Scorsese/De Niro/Pesci collaboration. And yet, Al Pacino towers over all of them with a funny, sad and haunting performance as Jimmy Hoffa.” – Jordan Ruimy
“#TheIrishman is Scorsese’s version of “On the Waterfront” meets “The Godfather,” almost a swan song with an added layer of nostalgia for his own past work. The editing is particularly excellent and all three actors are strong #NYFF57 #NYFF” – J. Don Birnam
“Boy. #TheIrishman is a fitting homecoming for De Niro, Pacino, Pesci, and Scorsese’s ode to gangster cinema. Hilarious and sharply written. A portrait of mortality and legacy, told like a culmination of everything we have ever seen in this genre. It’s LONG but never boring. #NYFF” – Kevin L. Lee
“I wish I could take a photo in he dark of all these people on their phones doing twitter hot takes on #TheIrishman. Here’s mine: it’s middle of the Scorsese pack. Def more of a sober character study than classic tense mob thriller. I suspect the word “masterpiece” is going to be thrown around a lot. I wouldn’t go that far. But the acting is (of course) top top top. Pacino especially. ” – Mara Reinstein
Mensch Maschine
Santur
A ver si es verdad, ciertamente somos afortunados de haber podido disfrutar a Scorsese en plena forma durante esta década, y él también lo es de haber podido hacer lo que le ha dado la realisima gana sin que le cortasen el grifo, ni siquiera en un proyecto casi suicida en lo comercial como 'Silencio'. Ojalá que esto no sea un testamento y aún quede gran cine por llegar por su parte.
Un saludete.
Un saludete.
Lennoniano
22/11/63
Hasta que no lo vea no me creo ná.
Elliott
Desconozco
basta ya de entrevistadores pesaos LISTOS
Ropit
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Tengo preparada para ver Who's that knocking at my door y da vértigo ver que el protagonista, Harvey Keitel, también aparece en The Irishman! Están separadas por 52 años, sé que @Trelkovsky (carreras de más de 50 años tampoco hay tantas) sacará algún ejemplo, pero es muy, muy difícil ... Mismo director, mismo actor, separados por tantos años. Lo puede superar De Palma si rueda algo con De Niro!
Hinomura Krycek
Bayofilo
Estando en Netflix a los 4 días... como aquel que dice. Paso de cines.
La veremos en casa.
La veremos en casa.
Elliott
Desconozco
se entra con password
Lennoniano
22/11/63
El mejosh.
Dave Mustaine
Miembro habitual
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Por qué Scorsese sigue siendo uno de los nuestros | Cinemanía
CRÍTICA de 'El irlandés' de Martin Scorsese (*****).- 'El crepúsculo de los 'goodfellas'
Liberty Valance, Érase una vez en América, El Padrino ... Que la ha hecho a lo grande y sin reservas parece un hecho.
Dicen que tiene dos partes muy diferenciadas, una primera a lo Scorsese's gangsters greatest heats, dándolo todo, y una segunda mucho más reflexiva.
Me hace gracia cuando dice que a los 2 minutos de metraje uno ha dicho "ya me gusta!"
CRÍTICA de 'El irlandés' de Martin Scorsese (*****).- 'El crepúsculo de los 'goodfellas'
Liberty Valance, Érase una vez en América, El Padrino ... Que la ha hecho a lo grande y sin reservas parece un hecho.
Dicen que tiene dos partes muy diferenciadas, una primera a lo Scorsese's gangsters greatest heats, dándolo todo, y una segunda mucho más reflexiva.
Me hace gracia cuando dice que a los 2 minutos de metraje uno ha dicho "ya me gusta!"
Hinomura Krycek
Bayofilo
Coincidimos con él en Sitges cuando la época dorada de Cinexilio.