Tarantino y los asesinatos Manson

The currently untitled film has DiCaprio in the lead and until now all we knew is he’d be playing a male TV actor who has had one hit series and his looking for a way to get into the film business.

Now Deadline explains more about his role and the overall film:

“What he plays, more specifically, is an actor who had his own Western show, Bounty Law, that ran on the air from 1958 to 1963. His attempt to transition to movies didn’t work out and in 1969 – the film is set at the height of hippy Hollywood movement – he’s guesting on other people’s shows while contemplating going to Italy which has become a hotbed for low-budget Westerns.”
 
Sí.

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A mi Fango desencadenado se me cae EH?

Sólo me chifla Candyland. Ese final ridi con el caballito llamado Trapecios, el abominable Jaime Foxx (Mulder), y The Q apareciendo FANEGAS. Ahí ya paso. Basta.
 
Hinomura Krycek dijo:
The currently untitled film has DiCaprio in the lead and until now all we knew is he’d be playing a male TV actor who has had one hit series and his looking for a way to get into the film business.

Now Deadline explains more about his role and the overall film:

“What he plays, more specifically, is an actor who had his own Western show, Bounty Law, that ran on the air from 1958 to 1963. His attempt to transition to movies didn’t work out and in 1969 – the film is set at the height of hippy Hollywood movement – he’s guesting on other people’s shows while contemplating going to Italy which has become a hotbed for low-budget Westerns.”
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O sea DiCaprio hara de Clint Eastwood...
Al final lo de Manson sera solo de pasada, acabara eliminandolo del guion
 
KLopeK dijo:
Ropit la defiende. Que dé la cara porque se la ponía dura con el cuento alemán de Bromhilda!
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Pero cabronazo, me citas como si fuera un guilty pleasure o algo, si a Django la aplaudieron hasta en las iglesias. El único que sembró un Inception vírico en el foro fue el de los muros.

Sí, es fascinante cómo se vertebra la trama a partir de la leyenda germánica, entre otras muchas maravillas como que Schultz lleva el pulp a un mundo realista de esclavitud. O que el final boss sea Jackson (enemigo de Django) y no DiCaprio (enemigo de Schultz) ...

Death Proof no te gusta porque es feminista. Es la más arriesgada de QT. Masterpiece total.
 
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