Doctor Who

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Es que la pillo siempre en Boing, justo antes de que empiece Bola De Dragón (................pausa reflexiva.................), y parece casi una españolada. Me supongo que será parte de la gracia que todo parezca tan falso, no?

Es buena buena, o buena en plan Buffy?

Vere ese episodio Duss.

Dussander dijo:
Pero no te va a gustar ¿eh? No es serie de rollo FORMAL ni es Spartacus.
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No salen gladiadores? Paso.
 
Respuesta: Doctor Who

Como casi toda serie, tiene episodios buenos, episodios malos y episodios del montón, pero los episodios verdaderamente buenos de Doctor Who valen por series enteras.

Por supuesto, para empatizar con una propuesta como DW hay que ser un fan del género. Te tiene que apasionar todo lo que tenga que ver con paradojas temporales, what if's, universos paralelos, viajes intergalácticos, distopías, ucronías... si no es el caso, es perder el tiempo.

Por otra parte, DW es la típica serie que, vista desde fuera parece muy cutre (es una serie de presupuesto relativamente bajo y eso siempre se puede disimular hasta cierto punto), pero que una vez que te engancha no te suelta, y lo que a primera vista parece ser cutre al final acaba convirtiéndose en toda una lección de creatividad, inventiva, y de sabia explotación de las limitaciones presupuestarias. El capítulo que te ha recomendado Dussander es un buen ejemplo de ello, es el típico episodio que por motivos de producción se rueda sin apenas participación del protagonista, y que en la inmensa mayoría de series en las que se realiza esta práctica suelen limitarse a ser episodios de relleno sin demasiado interés; en Who, en cambio, este tipo de episodios suelen ser maravillosos.

Eso sí, creo que no hace falta decirlo, pero ni se te ocurra verla doblada. Si la v.o. siempre es mejor, en el caso de DW la v.o. es sencillamente obligada. Por mucho que se pueda esforzar el doblador de turno, si no se disfrutan de las voces originales de gente como Eccleston, Tennant o Smith te estás perdiendo media serie. DW, como casi todas las series británicas se caracteriza por un nivel interpretativo sobresaliente.
 
Respuesta: Doctor Who

Yo me enganché a la del 2005 hace poco por Boing a partir del episodio 1 y con el doblaje castellano... si he podido con eso es gracias a las historias y lo entretenida que es la serie (Martha Jones aparte)

He llegado a ponerme al dia :sudor

Me encanta que Moffat lleve ahora la serie, ojalá escribiera todos los episodios :cortina

Un saludo.
 
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:hail:hail:hail:hail:hail

Maravilloso episodio de Gaiman, auqnue aun necesito decidir si se me pasó rapido por entretenido o porque necesitaba más tiempo; a mometos me dio la sensación de que le habria beneficiado más espacio. Ha habido cosas que han demostrado que la historia era más ambiciosa del dinero que había en caja; no es que lo que está este mal, ni mucho menos, pero si parece que es menos de lo que podría haber habido si hubiese más manga ancha.

Pero vamos, nada; uno de los mejores episodios de Who.

Eso si, hay una escena en la que no debería haber reido, pero no pude parar.
otro episodio en el que la pobre Amy llora la muerte o posible muerte de Rory; ya se que no es real, pero tecnicamente ¡Rory muere otra vez! :lol Por Dios; la pobre Amy llorando y yo descojonandome. Moffatt, tío, ya no me digas que no lo haces aposta... :mparto

Gloriosos dialogos, ritmo trepidante, buenas historia, concepto maravillosamente realizado (con sus pequeñas taras economicas), maravillosas interpretaciones, buenos efectos especiales, visualmente cojonuda... Un gran, gran, gran episodio.

¿Tengo el honor de ser el primero en decirlo?

"Bunk beds are cool. A bed, with a ladder."

¿Quien se pone encima, Amy o Rory? :cuniao
 
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The only water in the forest is the river... ¿song?

Muy buen episodio, emotivo, y... toda una declaración de amor entre el doctor y... ella. :juas

Por cierto, sabía quién iba a ser "the pretty one". :p

El siguiente pinta muy bien. :L
 
Respuesta: Doctor Who

Teasers para The Rebel Flesh:

1 It’s this season’s most trad-Who episode so far, but whereas last year’s “trad” story (the Silurian two-parter) was Pertwee era, this is straight out of the Troughton years. Appropriately Matt Smith is at his most Troughton-esque. ​

2 It also evokes memories of “The Impossible Planet”. There’s a lot of exposition to start with, but it soon becomes very pacy claustrophobic, creepy and full of powerful, well-written character moments for the guest stars and striking images.​

3 The pre-titles teaser is frankly disturbing​

4 Accident Direct could have to rethink their policies in this world​

5 Rory fails to score a double​

6 There’s lots and lots of shaky acting (term © Suranne Jones)​

7 There’s a surprising selection of pop songs​

8 The Doctor uses his sonic screwdriver when simply reading would suffice​

9 The Doctor reveals he’s a fan of someone ​

10 The Doctor pretends to be a weatherman​

11 The Doctor has a great Derren Brown moment​

12 Random words: “Poncy”, “cockerel”, “welly-boots”, “football”​

13 The Doctor loses two of something​

14 The Doctor says something again we’ve never heard him say before​

15 Beware the oncoming storm​

16 Someone builds a castle​

17 There’s a moment straight out of The Thing, and another one straight out of Death Becomes Her​

18 Someone’s first words are a big clue​

19 Rory puts his foot down​

20 The Doctor clearly isn’t from the North any more!​


Y los dos clips semanales:

YouTube - The Rebel Flesh Clip #1 Doctor Who

YouTube - The Rebel Flesh Clip #2 Doctor Who
 
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Y con esto sumamos la tercera muerte de Rory en lo que llevamos de temporada.

Espeluznante por cierto. HATE DIE AMY DIE AMY HATE DIE...

No os perdáis el Confidential.
 
Respuesta: Doctor Who

Tengo que volver a verlo esta noche, porque me puse a ver el episodio de madrugada, tras haber estado de copas, y creo que no estaba en la mejor predisposición para ver un capítulo en el que todo pasa a tanta hostia :juas por cierto, ¿no habían comentado que el capítulo iba a durar 50 minutos? Porque lo que yo me he bajado dura lo mismo que un episodio normal.

Y sí, al ver a Rory morir OTRA VEZ no pude evitar pensar en lo que comentábamos las últimas semanas, Mr. Pond se ha convertido en el Kenny de la serie :cuniao Eso sí, como ha dicho Duss, la situación ha sido mucho más espeluznante esta semana que la pasada.

Yo no sé si se están cargando tan a menudo a Rory, para que cuando River Song se lo cargue definitivamente (yo sigo emperrado en mi teoría de que él es el "a good man") y no lo veamos resucitar nos llevemos un chasco :cuniao

Aunque bueno, con Moffat nobody dies... :pensativo
 
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Dussander dijo:
Y con esto sumamos la tercera muerte de Rory en lo que llevamos de temporada.

.
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Te digo yo que Moffatt se está descojonando en su castillo.

Me imagino la conversación:

Gaiman: ¿Qué quieres que meta en el guion referente al arco de la temporada?

Moffatt: ¡Mata a Rory! ¡Mata a ese hijo de puta! ¡Acaba con él! ¡Aniquilalo!

Gaiman: Fale.

Nunca me pierdo los confidential, sobre todo teniendo en cuenta que en los dvd vienen recortadisimos; el de hoy ha estado especialmente inspirado.
 
Respuesta: Doctor Who

Sorel dijo:
necesito decidir si se me pasó rapido por entretenido o porque necesitaba más tiempo; a mometos me dio la sensación de que le habria beneficiado más espacio. Ha habido cosas que han demostrado que la historia era más ambiciosa del dinero que había en caja; no es que lo que está este mal, ni mucho menos, pero si parece que es menos de lo que podría haber habido si hubiese más manga ancha.
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Sí, ya era conocida la manga ancha que querían darle al capítulo en tiempo y dinero. En principio iba a rodarse la temporada pasada, pero se quedaron sin pasta y tuvieron que sustituírlo por un episodio que fuese baratito, y que fue The lodger. Y en ésta ya se ve, como digo, en el Confidential, los medios que dedicaron al episodio, y aún así tuvieron que hacer recortes para llegar a unos mínimos (sacar un Ood en vez de una nueva criatura, reutilizar la sala de control de Eccleston/Tennant, etc).

Gaiman y otros han estado comentando, además, escenas que se quedaron fuera por falta de presupuesto; en la página de la BBC lo tenéis. Que si la escena de la piscina, que si la del planeta de los Dioses de la Lluvia (me hubiese encantado ver ésta)...Y sobre tiempo, lo mismo: dice Gaiman que se recortaron del episodio al menos 13 minutos.

(todo esto ya sé que tú lo sabes, era por comentar todo esto :cuniao )

Y aunque me ha encantado, sigue notándose que el episodio pedía MÁS. Creo que hubiera sido, quizá, más sabio convertirlo en un especial de Navidad: podían dedicarle más tiempo, más dinero y más metraje.
 
Respuesta: Doctor Who

Aún con todo, un clásico instantaneo. Vuelto a ver, todo se acomoda mucho mejor; da la sensación no obstante de que cuando te gastas mucho dinero pero no el suficiente, se nota más que cuando vas a ahorrar directamente.
 
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10 teasers

Accents are not The Doctor's forte. » The TARDIS does something we haven't seen before.
» We find out new information about The Doctor's body.
» Buzzer shares a characteristic with Uncle from 'The Doctor's Wife'.
» There's a 'Supermassive Black Hole' in the TARDIS.
» Rory and Amy disagree over flights.
» One of the Doctor's "toys" returns.
» A motif from 'The Curse Of The Black Spot' makes an appearance.
» Looking for influences? Frankenstein, Blade Runner and The Incredibles.
» The Doctor makes up a crazy new word.
 
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Era eso o hacer un comentario sobre el destornillador sónico y eso de:

Sorel dijo:
» We find out new information about The Doctor's body.
» One of the Doctor's "toys" returns.
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pero era demasiado grosero hasta para mí. :cool
 
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Esperando para ver el episodio de esta semana con mi novia, he encontrado este gif animado:

tumblr_lkhirl8bXN1qzgu6io1_500.gif
 
Respuesta: Doctor Who

Sesión de preguntas y respuestas con Neil Gaiman sobre The Doctor's wife:

Why did you use the Tennant era TARDIS as the alternate control room? I would have loved to have seen an earlier version?
So would I. But I was not able to reach any of the earlier producers in time and ask them to keep their sets up.
Because I came up with the story before the Year Four Specials aired, I was able to ask them to keep the Christopher Ecclestone TARDIS interior. It stood in the studio for an extra eighteen months, and they lied to anyone who came past about why it was still there.
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The long-standing fan argument (and joke) about whether timelords can change gender on regeneration seems to be now definitively settled. Was there any disagreement or debate about that? Does it foreshadowing the appearance of a female timelord? Who would you ideal female timelord be?
The odd bit here is that for me it had been definitively settled when Doctor Eleven tried to figure out whether or not he was a girl.
But it seemed to make sense, and it made the Time Lords more interesting for me, not less, and I put it in the script, always as a throwaway.
The description of the Corsair and the Doctor's relationship with him got shorter and shorter in script after script, but that aside remained, and I'm glad it did, if only because the next time the BBC needs to cast a Doctor, the press and fans get to argue passionately about twice as many actors.
And for me, the definitive lady Doctor will always be Joanna Lumley. SHe had Dalek bumps.
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Will you write another episode? If so, do you know what it might be about? Would you consider becoming a regular DW writer?I don't know. I'd love to write another episode: this is DOCTOR WHO we're talking about. Nobody's asked me, and, which is harder to admit, one reason that the episode was good was that I spent much too much of the last two years writing and rewriting it, while not doing things that people were waiting for.
So now I'm trying to catch up on things people are waiting for.
I wish there was more than one of me. I could send the spare me off to Cardiff to sit in a corner and do nothing but imagine adventures for the Doctor. That would be grand.
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Was this the one great Who story you've always wanted to tell or are there many which have been brewing since childhood?
I've always wanted to go deeper into the TARDIS. Don't we all?
The story actually came about backwards. It began with me wanting to do a story like THE MOST DANGEROUS GAME set in the TARDIS, with the Doctor being hunted. And then I thought, that's no fun, because he knows everything about the TARDIS. It's no contest. It would be more interesting to have a companion be hunted through the TARDIS...
And I thought, Or even have something malevolent possess the TARDIS. But if I did that, I'd need to put the TARDIS consciousness somewhere.
And then I had a story.
...
And there are definitely other stories.
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Which Doctor Who episodes have you watched and wished you'd written them?
I love being a member of the audience.
On Season 5 (Matt's first season) they sent me every script (because my episode was originally going to be episode 11) and it took all the fun out of it. I knew what was going to happen. I'd had all my gasps while reading.
For Season 6 I asked them not to do that, talked to Steven Moffat about what I needed to know to move the script from episode 11 of Season 5 (No Rory) to Episode 3 (originally, then 4) of Season 6. And he filled me in on that, and on some Sekrit Backstory stuff, and on the significance of The Only Water In The Forest Is The River, and I went off to work.
And am loving watching this series unspoiled.
So, none of them.
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If you could write Doctor Who in any medium (tv, comics, limericks in grungy bathroom stalls) what would be your preference and why?TV. Doctor Who is a TV show. (I said no whenever I was asked to write spin-off things when younger, frustrating the lovely people who did the Virgin New Adventures and the Telos Novellas and such, explaining that I wanted to write an episode of the show. Which may also have been my way of trying to hope the Doctor Who TV show back into existence.
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Is Doctor Who more difficult or easy to write than the average script? And how
I think it's harder. Most scripts have a consistency of tone, and standing sets, and you know what's in there.
Doctor Who can be anything and go anywhere, and you have to make it up as you go along. And then make it work. And then have people realise your multi-million dollar vision on the equivalent of pocket change.
And then you cut a lot of stuff that would have been too expensive.
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Did you have total creative control? Or a storyarc to work to - and did that change when this episode became part of season six? Anything you wanted to do but couldn’t? And was your script edited?Nobody has total creative control. You're always up against the practicalities, and the budget, and it's also always a team effort.
(I wrote:
The Doctor: I don't want you to...
But Matt Smith decided how to play that, with Richard Clark directing. He was the one who broke down like a child trying to hold back tears. That's them. A different actor or different director might have taken it differently. Imagine Tom Baker or David Tennant or Patrick Troughton or Christopher Ecclestone or Sylvester McCoy saying them, each with a different spin or tone...)
Yes, things changed when it slipped story arcs. It became Rory and Amy, not just Rory, which meant changing the way that the House toyed with them/kept them busy while it took over the TARDIS. It meant that the TARDIS was no longer trying to warn the Doctor about the events of The Big Bang, or how he could get out of it.
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Who was Idris before? How did she get to the asteroid?
You know, in early drafts we learned a lot more about Idris, and she was imprisoned on the asteroid, and she didn't become the TARDIS until about 20 minutes in. But it only got interesting once she became the TARDIS. So we moved that stuff up.
So much Auntie and Uncle etc backstory in my head and in previous scripts -- and there was even a lot more that we shot. Adrian and Elizabeth were funny and creepy at the same time, and they had dialogue that indicated that normally the TARDISes when placed in human form say a few words then burn up and die: what our TARDIS did in Idris's body was unheard of. But then, it was too long, so those scenes, along with many wonderful Uncle and Auntie lines, went away.
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Didn't the Doctor once regenerate from just a hand? Auntie had the Corsair's hand attached to her, can the doctor regrow the Corsair from this?
The Corsair's arm (kidneys, spleen etc) is on a bubble universe that reached Absolute Zero pretty quickly, destroying all the cells, Corsair DNA etc.
Unless of course someone needs it for a future story, in which case it will have been perfectly preserved.
But in my head, no, it's destroyed.
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Was it made clear exactly what happened to House? I feel his fate was left a little ambiguous, I imagine his essence still floating around out there....starving maybe...but still alive...waiting for food.
In almost all the drafts of the script until we reached shooting, they buried Idris's body.
And in most of those drafts it was very clear that House had absolutely survived.
Right now, it's a lot more ambiguous.
But I like disembodied baddies. Something you can't see can be just as scary as things you can. (One of my favourite Doctor Who baddies as a child was the Great Intelligence, and House was as much a tip of the hat to that as it was a steal from Arthur Conan Doyle -- WHEN THE WORLD SCREAMED -- and a wave at my friend Harlan Ellison.
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If there are dozens of new control rooms that the doctor hadn't even seen, does this mean that the plan is to just keep going with the regenerations and ignore the rule of 13 bodies?
It's interesting, that rule. It was obviously bendable to begin with (the Time Lords gave the Master a whole new round of regenerations). So I've always thought that it was more a law like a speed limit is a law than like Gravity is a law.
And if there are no longer any police to make you observe the speed limit, you can drive as fast as you like. Although it's a lot more dangerous.
And that's my opinion. As to what Mr Moffat thinks, he may either have a plan, or he may figure it's not his problem, but is one for eight or ten years down the line.
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Am I being petty if I ask how the TARDIS was translating language if it had been removed and stuffed into a pretty lady? Or was the asteroid-demon politely speaking English? For the same reason the doors opened and closed, and the whole of the inside of the TARDIS hadn't become the same size as it was on the outside. The TARDIS matrix was out of the TARDIS, but translation is an automatic process. (It's like a person in a coma continuing to breathe. Lots of stuff still works, there's just nobody running it.)
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What happened to the souls of other TARDISes?
They were put into the heads of people who had wound up being sucked through the Rift-Plughole and were not expecting what happened to them.
The House would start to feed on the Artron energy.
The person the TARDIS matrix had been put into would mutter a few words, or scream, or just lapse back into unconsciousness.
And then, in a couple of minutes, or an hour at the most, the host body would die, the TARDIS energy would be released, and have nowhere to go, and twinkle, and swirl, and be gone.
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Right. Out of time.I'll answer a couple of the FAQs here, without crediting whoever asked them. (too many to credit at this point.)
1) Yes, Pull to Open obviously refers to the hatch. But it is an instruction, and it is on her door, and Police Box doors did open out. (Opening in makes much more sense for a spaceship though.)
2) Yes, there were lots more TARDIS rooms in earlier versions of the script. I was particularly fond of the Zero Room sequence, with Rory having to learn to levitate, but alas, Zero Rooms and levitation cost money and take time to shoot, as do Swimming Pools and Halls of Mirrors, and we were all out of both at that point.
However, now we have TARDIS corridors existing s standing sets. We never did before. And that means that other writers can use the corridors to go somewhere. Like the New Swimming Pool. Or the ballroom.
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Fuente: http://www.guardian.co.uk/tv-and-ra...octors-wife?commentpage=all#start-of-comments
 
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