Peleas entre directores
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Lerink
The Finch Man
Respuesta: Peleas entre directores
Lo de Truffaut con Bardem fue porque el primero acusó a "muerte de un ciclista" de ser un plagio de "Crónica de un amor", y como posteriormente la carrera de Bardem fue de mal en peor, Truffaut le acabó poniendo a parir, sentenciando en Cahiers: "Bardem est mort" cuando vió "Sonatas". Bardem es todo un tema del que realmente nunca se habla, pero tiene toda una parte oscura que es puro tabú.
Con quien si se cebó injustamente fue con Berlanga a raíz de "Calabuch" que dijo que la bomba atómica debería haber caído sobre la cabeza del director español.
Lo de Truffaut con Bardem fue porque el primero acusó a "muerte de un ciclista" de ser un plagio de "Crónica de un amor", y como posteriormente la carrera de Bardem fue de mal en peor, Truffaut le acabó poniendo a parir, sentenciando en Cahiers: "Bardem est mort" cuando vió "Sonatas". Bardem es todo un tema del que realmente nunca se habla, pero tiene toda una parte oscura que es puro tabú.
Con quien si se cebó injustamente fue con Berlanga a raíz de "Calabuch" que dijo que la bomba atómica debería haber caído sobre la cabeza del director español.
Whedon Boy
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Respuesta: Peleas entre directores
Es curioso, porque precisamente "Juana de Arco" es de lo mejorcito de ambos.
Es curioso, porque precisamente "Juana de Arco" es de lo mejorcito de ambos.
Respuesta: Peleas entre directores
Yo ya lo había hecho antes en este mismo hilo.
Otro que no me lee
Yo ya lo había hecho antes en este mismo hilo.
Otro que no me lee
Respuesta: Peleas entre directores
Subo el hilo por este artículo de flavorware:
The 30 Harshest Filmmaker-on-Filmmaker Insults In History
1. Francois Truffaut on Michelangelo Antonioni:
“Antonioni is the only important director I have nothing good to say about. He bores me; he’s so solemn and humorless.”
2. Ingmar Bergman on Michelangelo Antonioni:
“Fellini, Kurosawa, and Bunuel move in the same field as Tarkovsky. Antonioni was on his way, but expired, suffocated by his own tediousness.”
3. Ingmar Berman on Orson Welles:
“For me he’s just a hoax. It’s empty. It’s not interesting. It’s dead. Citizen Kane, which I have a copy of — is all the critics’ darling, always at the top of every poll taken, but I think it’s a total bore. Above all, the performances are worthless. The amount of respect that movie’s got is absolutely unbelievable.”
4. Ingmar Bergman on Jean-Luc Godard:
“I’ve never gotten anything out of his movies. They have felt constructed, faux intellectual, and completely dead. Cinematographically uninteresting and infinitely boring. Godard is a fucking bore. He’s made his films for the critics. One of the movies, Masculin, Féminin, was shot here in Sweden. It was mind-numbingly boring.”
5. Orson Welles on Jean-Luc Godard:
“His gifts as a director are enormous. I just can’t take him very seriously as a thinker — and that’s where we seem to differ, because he does. His message is what he cares about these days, and, like most movie messages, it could be written on the head of a pin.”
6. Werner Herzog on Jean-Luc Godard:
“Someone like Jean-Luc Godard is for me intellectual counterfeit money when compared to a good kung-fu film.”
7. Jean-Luc Godard on Quentin Tarantino:
“Tarantino named his production company after one of my films. He’d have done better to give me some money.”
8. Harmony Korine on Quentin Tarantino:
“Quentin Tarantino seems to be too concerned with other films. I mean, about appropriating other movies, like in a blender. I think it’s, like, really funny at the time I’m seeing it, but then, I don’t know, there’s a void there. Some of the references are flat, just pop culture.”
9. Nick Broomfield on Quentin Tarantino:
“It’s like watching a schoolboy’s fantasy of violence and sex, which normally Quentin Tarantino would be wanking alone to in his bedroom while this mother is making his baked beans downstairs. Only this time he’s got Harvey Weinstein behind him and it’s on at a million screens.”
10. Spike Lee on Quentin Tarantino (and the “n-word” in his scripts):
“I’m not against the word, and I use it, but not excessively. And some people speak that way. But, Quentin is infatuated with that word. What does he want to be made — an honorary black man?”
11. Spike Lee on Tyler Perry:
“We got a black president, and we going back to Mantan Moreland and Sleep ‘n’ Eat?”
12. Tyler Perry on Spike Lee
“Spike can go straight to hell! You can print that… Spike needs to shut the hell up!”
13. Clint Eastwood on Spike Lee:
“A guy like him should shut his face.”
14. Jacques Rivette on Stanley Kubrick:
“Kubrick is a machine, a mutant, a Martian. He has no human feeling whatsoever. But it’s great when the machine films other machines, as in 2001.”
15. Jacques Rivette on James Cameron (and Steven Spielberg):
“Cameron isn’t evil, he’s not an asshole like Spielberg. He wants to be the new De Mille. Unfortunately, he can’t direct his way out of a paper bag. “
16. Jean-Luc Godard on Steven Spielberg:
“I don’t know him personally. I don’t think his films are very good.”
17. Alex Cox on Steven Spielberg:
“Spielberg isn’t a filmmaker, he’s a confectioner.”
18. Tim Burton on Kevin Smith (after Smith jokingly accused Burton of stealing the ending of Planet of the Apes from a Smith comic book):
“Anyone who knows me knows I would never read a comic book. And I would especially never read anything created by Kevin Smith.”
19. Kevin Smith on Tim Burton (in response to “I would never read a comic book”):
“Which, to me, explains fucking Batman.”
20. Kevin Smith on Paul Thomas Anderson (specifically, Magnolia):
“I’ll never watch it again, but I will keep it. I’ll keep it right on my desk, as a constant reminder that a bloated sense of self-importance is the most unattractive quality in a person or their work.”
21. David Gordon Green on Kevin Smith:
“He kind of created a Special Olympics for film. They just kind of lowered the standard. I’m sure their parents are proud; it’s just nothing I care to buy a ticket for.”
22. Vincent Gallo on Spike Jonze:
“He’s the biggest fraud out there. If you bring him to a party he’s the least interesting person at the party, he’s the person who doesn’t know anything. He’s the person who doesn’t say anything funny, interesting, intelligent… He’s a pig piece of shit.”
23. Vincent Gallo on Martin Scorsese:
“I wouldn’t work for Martin Scorsese for $10 million. He hasn’t made a good film in 25 years. I would never work with an egomaniac has-been.”
24. Vincent Gallo on Sofia (and Francis Ford) Coppola:
“Sofia Coppola likes any guy who has what she wants. If she wants to be a photographer she’ll fuck a photographer. If she wants to be a filmmaker, she’ll fuck a filmmaker. She’s a parasite just like her fat, pig father was.”
25. Vincent Gallo on Abel Ferrara:
“Abel Ferrara was on so much crack when I did The Funeral, he was never on set. He was in my room trying to pick-pocket me.”
26. Werner Herzog on Abel Ferrara:
“I have no idea who Abel Ferrara is. But let him fight the windmills… I’ve never seen a film by him. I have no idea who he is. Is he Italian? Is he French? Who is he?”
27. David Cronenberg on M. Night Shymalan:
“I HATE that guy! Next question.”
28. Alan Parker on Peter Greenaway (specifically The Draughtsman’s Contact):
“A load of posturing poo-poo.”
29. Ken Russell on Sir Richard Attenborough:
“Sir Richard (‘I’m-going-to-attack-the-Establishment-fifty-years-after-it’s-dead’) Attenborough is guilty of caricature, a sense of righteous self-satisfaction, and repetition which all undermine the impact of the film.”
30. Uwe Boll on Michael Bay:
“I’m not a fucking retard like Michael Bay.”
Subo el hilo por este artículo de flavorware:
The 30 Harshest Filmmaker-on-Filmmaker Insults In History
1. Francois Truffaut on Michelangelo Antonioni:
“Antonioni is the only important director I have nothing good to say about. He bores me; he’s so solemn and humorless.”
2. Ingmar Bergman on Michelangelo Antonioni:
“Fellini, Kurosawa, and Bunuel move in the same field as Tarkovsky. Antonioni was on his way, but expired, suffocated by his own tediousness.”
3. Ingmar Berman on Orson Welles:
“For me he’s just a hoax. It’s empty. It’s not interesting. It’s dead. Citizen Kane, which I have a copy of — is all the critics’ darling, always at the top of every poll taken, but I think it’s a total bore. Above all, the performances are worthless. The amount of respect that movie’s got is absolutely unbelievable.”
4. Ingmar Bergman on Jean-Luc Godard:
“I’ve never gotten anything out of his movies. They have felt constructed, faux intellectual, and completely dead. Cinematographically uninteresting and infinitely boring. Godard is a fucking bore. He’s made his films for the critics. One of the movies, Masculin, Féminin, was shot here in Sweden. It was mind-numbingly boring.”
5. Orson Welles on Jean-Luc Godard:
“His gifts as a director are enormous. I just can’t take him very seriously as a thinker — and that’s where we seem to differ, because he does. His message is what he cares about these days, and, like most movie messages, it could be written on the head of a pin.”
6. Werner Herzog on Jean-Luc Godard:
“Someone like Jean-Luc Godard is for me intellectual counterfeit money when compared to a good kung-fu film.”
7. Jean-Luc Godard on Quentin Tarantino:
“Tarantino named his production company after one of my films. He’d have done better to give me some money.”
8. Harmony Korine on Quentin Tarantino:
“Quentin Tarantino seems to be too concerned with other films. I mean, about appropriating other movies, like in a blender. I think it’s, like, really funny at the time I’m seeing it, but then, I don’t know, there’s a void there. Some of the references are flat, just pop culture.”
9. Nick Broomfield on Quentin Tarantino:
“It’s like watching a schoolboy’s fantasy of violence and sex, which normally Quentin Tarantino would be wanking alone to in his bedroom while this mother is making his baked beans downstairs. Only this time he’s got Harvey Weinstein behind him and it’s on at a million screens.”
10. Spike Lee on Quentin Tarantino (and the “n-word” in his scripts):
“I’m not against the word, and I use it, but not excessively. And some people speak that way. But, Quentin is infatuated with that word. What does he want to be made — an honorary black man?”
11. Spike Lee on Tyler Perry:
“We got a black president, and we going back to Mantan Moreland and Sleep ‘n’ Eat?”
12. Tyler Perry on Spike Lee
“Spike can go straight to hell! You can print that… Spike needs to shut the hell up!”
13. Clint Eastwood on Spike Lee:
“A guy like him should shut his face.”
14. Jacques Rivette on Stanley Kubrick:
“Kubrick is a machine, a mutant, a Martian. He has no human feeling whatsoever. But it’s great when the machine films other machines, as in 2001.”
15. Jacques Rivette on James Cameron (and Steven Spielberg):
“Cameron isn’t evil, he’s not an asshole like Spielberg. He wants to be the new De Mille. Unfortunately, he can’t direct his way out of a paper bag. “
16. Jean-Luc Godard on Steven Spielberg:
“I don’t know him personally. I don’t think his films are very good.”
17. Alex Cox on Steven Spielberg:
“Spielberg isn’t a filmmaker, he’s a confectioner.”
18. Tim Burton on Kevin Smith (after Smith jokingly accused Burton of stealing the ending of Planet of the Apes from a Smith comic book):
“Anyone who knows me knows I would never read a comic book. And I would especially never read anything created by Kevin Smith.”
19. Kevin Smith on Tim Burton (in response to “I would never read a comic book”):
“Which, to me, explains fucking Batman.”
20. Kevin Smith on Paul Thomas Anderson (specifically, Magnolia):
“I’ll never watch it again, but I will keep it. I’ll keep it right on my desk, as a constant reminder that a bloated sense of self-importance is the most unattractive quality in a person or their work.”
21. David Gordon Green on Kevin Smith:
“He kind of created a Special Olympics for film. They just kind of lowered the standard. I’m sure their parents are proud; it’s just nothing I care to buy a ticket for.”
22. Vincent Gallo on Spike Jonze:
“He’s the biggest fraud out there. If you bring him to a party he’s the least interesting person at the party, he’s the person who doesn’t know anything. He’s the person who doesn’t say anything funny, interesting, intelligent… He’s a pig piece of shit.”
23. Vincent Gallo on Martin Scorsese:
“I wouldn’t work for Martin Scorsese for $10 million. He hasn’t made a good film in 25 years. I would never work with an egomaniac has-been.”
24. Vincent Gallo on Sofia (and Francis Ford) Coppola:
“Sofia Coppola likes any guy who has what she wants. If she wants to be a photographer she’ll fuck a photographer. If she wants to be a filmmaker, she’ll fuck a filmmaker. She’s a parasite just like her fat, pig father was.”
25. Vincent Gallo on Abel Ferrara:
“Abel Ferrara was on so much crack when I did The Funeral, he was never on set. He was in my room trying to pick-pocket me.”
26. Werner Herzog on Abel Ferrara:
“I have no idea who Abel Ferrara is. But let him fight the windmills… I’ve never seen a film by him. I have no idea who he is. Is he Italian? Is he French? Who is he?”
27. David Cronenberg on M. Night Shymalan:
“I HATE that guy! Next question.”
28. Alan Parker on Peter Greenaway (specifically The Draughtsman’s Contact):
“A load of posturing poo-poo.”
29. Ken Russell on Sir Richard Attenborough:
“Sir Richard (‘I’m-going-to-attack-the-Establishment-fifty-years-after-it’s-dead’) Attenborough is guilty of caricature, a sense of righteous self-satisfaction, and repetition which all undermine the impact of the film.”
30. Uwe Boll on Michael Bay:
“I’m not a fucking retard like Michael Bay.”
Atreyub
En busca y captura
Respuesta: Peleas entre directores
Ni a Vincent Gallo.
Jostias. Qué fuerte.
Jojos, que super fuerte, tía.
Le noto picao.
Con menudo (y menuda) se ha ido a meter.
A veces creo que el ego habla por ellos cual ventrílocuo.
Pero que explique porqué, tiene que haber una razón.
Ni a Vincent Gallo.
Jostias. Qué fuerte.
Jojos, que super fuerte, tía.
Le noto picao.
Con menudo (y menuda) se ha ido a meter.
A veces creo que el ego habla por ellos cual ventrílocuo.
Pero que explique porqué, tiene que haber una razón.
Elliott
Desconozco
Respuesta: Peleas entre directores
falta David Trueba, claro.
fijaos que Bergman o Truffaut principalmente descalifican a algunos porque les ABURREN. No estamos tan lejos de ellos!
tambien hay alguno que se responde solo viendo sus pelis (David Gordon Green que te quise Green)..
falta David Trueba, claro.
fijaos que Bergman o Truffaut principalmente descalifican a algunos porque les ABURREN. No estamos tan lejos de ellos!
tambien hay alguno que se responde solo viendo sus pelis (David Gordon Green que te quise Green)..
Atreyub
En busca y captura
Respuesta: Peleas entre directores
Además, algunos me parece que el cabreo viene porque su carrera no ha tenido el mismo éxito que la del otro que crujen.
Además, algunos me parece que el cabreo viene porque su carrera no ha tenido el mismo éxito que la del otro que crujen.
Atreyub
En busca y captura
Respuesta: Peleas entre directores
Exacto, veo a Smith muy cabreao con Burton per se. Eastwood es un tío que ya tiene cierta edad pa' decir lo que le de la gana (como dicen: la vejez es un grado) y no está pa' hostias. Bueno, sí está pero no para chorradas.
Exacto, veo a Smith muy cabreao con Burton per se. Eastwood es un tío que ya tiene cierta edad pa' decir lo que le de la gana (como dicen: la vejez es un grado) y no está pa' hostias. Bueno, sí está pero no para chorradas.
Respuesta: Peleas entre directores
Lo de Smith es porque al final Burton no rodó su guión para Superman, nosequé de una escena de sexo en el monte Rushmore. Es un mosqueo típico, Smith creía que se iba a comer el mundo (obra de Harvey "perro rabioso" Weinstein) y se topó con que en Hollywood era el último mono.
Clint mola. "¿Qué haces, negro?"
Lo de Smith es porque al final Burton no rodó su guión para Superman, nosequé de una escena de sexo en el monte Rushmore. Es un mosqueo típico, Smith creía que se iba a comer el mundo (obra de Harvey "perro rabioso" Weinstein) y se topó con que en Hollywood era el último mono.
Clint mola. "¿Qué haces, negro?"
Atreyub
En busca y captura
Respuesta: Peleas entre directores
Añadiendo, si no me equivoco aquello del Superman con traje lila (con Nicolas Cage dentro). ¿puede ser?
Mucho.
Añadiendo, si no me equivoco aquello del Superman con traje lila (con Nicolas Cage dentro). ¿puede ser?
Mucho.
Atreyub
En busca y captura
Respuesta: Peleas entre directores
Yo lo vería hasta como un cumplido, mira lo que te digo...
- Tengo un archienemigo, compadre.
- ¿Quien?
- Clint Eastwood.
- Jostias.
Yo lo vería hasta como un cumplido, mira lo que te digo...
- Tengo un archienemigo, compadre.
- ¿Quien?
- Clint Eastwood.
- Jostias.
Respuesta: Peleas entre directores
Un futuro Michael Bay vs. newcomer Raúl Cerezo.
Juntos podemos.
"Todo comenzó cuando el consagrado director de cine de acción se acerco al joven realizador español para negociar sobre la compra de los derechos de su cortometraje "8", con la intención de rodar un remake en formato de largometraje"
Un futuro Michael Bay vs. newcomer Raúl Cerezo.
Juntos podemos.
"Todo comenzó cuando el consagrado director de cine de acción se acerco al joven realizador español para negociar sobre la compra de los derechos de su cortometraje "8", con la intención de rodar un remake en formato de largometraje"
Atreyub
En busca y captura
Respuesta: Peleas entre directores
Pero perder ante Clint es un honor. Ves, es imposible cabrearse con Clint. Es como Chuck Norris, es imposible verlo como un enemigo. ¡Es el abuelo que todos querríamos tener!.
¿Alguien tiene el teléfono de Michael Bay a mano?
Pero perder ante Clint es un honor. Ves, es imposible cabrearse con Clint. Es como Chuck Norris, es imposible verlo como un enemigo. ¡Es el abuelo que todos querríamos tener!.
¿Alguien tiene el teléfono de Michael Bay a mano?
Atreyub
En busca y captura
Respuesta: Peleas entre directores
Lo que estoy seguro es que acabarían a hostias tirándose las sillas y agarrándose de los pelos peleando a lo canguro.
(Porque me imagino que alguna vez habréis visto pegarse a dos canguros, ¿no?).
Lo que estoy seguro es que acabarían a hostias tirándose las sillas y agarrándose de los pelos peleando a lo canguro.
(Porque me imagino que alguna vez habréis visto pegarse a dos canguros, ¿no?).
Elliott
Desconozco
Respuesta: Peleas entre directores
pero acabarian haciendo pressingcatch en un parking o iria en serio?
pero acabarian haciendo pressingcatch en un parking o iria en serio?
Atreyub
En busca y captura
Respuesta: Peleas entre directores
Pues no lo sé, depende de donde hiciesen la tertulia.
Pues no lo sé, depende de donde hiciesen la tertulia.
Respuesta: Peleas entre directores
John Ford vs Cecil B. DeMille.Cuando hubo una especie de golpe de estado en el Directors Guild Of America, y quisieron quitar de en medio a su presidente por aquel entonces, Joseph L. Mankiewicz, se formó un follón tremendo, hasta que habló John Ford: ""My name's John Ford. I make Westerns. I don't think there's anyone in this room who knows more about what the American public wants than Cecil B. DeMille — and he certainly knows how to give it to them.... [looking at DeMille] But I don't like you, C.B. I don't like what you stand for and I don't like what you've been saying here tonight."
John Ford vs Cecil B. DeMille.Cuando hubo una especie de golpe de estado en el Directors Guild Of America, y quisieron quitar de en medio a su presidente por aquel entonces, Joseph L. Mankiewicz, se formó un follón tremendo, hasta que habló John Ford: ""My name's John Ford. I make Westerns. I don't think there's anyone in this room who knows more about what the American public wants than Cecil B. DeMille — and he certainly knows how to give it to them.... [looking at DeMille] But I don't like you, C.B. I don't like what you stand for and I don't like what you've been saying here tonight."