Lennoniano
¿EH?
Felicity Blowjobs
Star Wars: Rogue One - primer spin-off de Star Wars
- Autor Atreyub
- Fecha de inicio
Wontnerman
Miembro habitual
- Felicity JONESY!
Los culoduros, por definición, no son de SW.
tonirocker
Miembro habitual
no recuerdo el nombre, una que estan en un futuro apocaliptico , parece un videojuego, y se pasan todo el rato liandose a tiros, que cosa tan mala era, habia que verla para creer.
Peter Jackson
Pizza Time Dude!
Me refiero al culoduro de StarWars, creeme, existen y son más jodidos que tú.
Lennoniano
¿EH?
Lennoniano
¿EH?
Su falta de fe resulta...
Última edición:
Lennoniano
¿EH?
Fango Unchained
Wontnerman
Miembro habitual
"Fango para tres".
tonirocker
Miembro habitual
esta podria ir perfectamente al hilo de la peor pelicula vista en el siglo, joder, si es que el Despertar de la fuerza de J.J Abrahms me parece una obra maestra al lado de esta.
Lennoniano
¿EH?
Sagerao.
tonirocker
Miembro habitual
tienes razon, va, la tercera o cuarta peor del siglo por detras de esa de Netflix, seguro.
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Exageradísimo...
Edgtho
Miembro habitual
"Fango para tres".
Voy a hacer un Wontner!!!!
MH: Mira que burraco me pongo.
CF: Niño, sonríe y deja de gilipoyeces, o de la ostia que te meto vas a sentir la fuerza sin necesidad de espaditas.
HF: Ay llevame pronto! Coño, qué haces por ahí bajo Yoda?
Hinomura Krycek
Bayofilo
Gilroy Opens Up About “Rogue One” Problems
In mid-2016, half a year before “Rogue One: A Star Wars Story” was set to premiere, Lucasfilm made the then unprecedented move of bringing in Oscar-nominated writer Tony Gilroy to re-work that first “Star Wars” spin-off.
At the time it was indicated the studio was unsatisfied with the state of the job that director Gareth Edwards had done and so brought in Gilroy to not only re-write but oversee reshoots and post-production on the film along with fixing several issues including the ending.
Gilroy was paid millions for his work, with estimates being that good 40% of the film is ultimately his. Now Gilroy is finally getting candid about his work on the film in a new episode of The Moment With Brian Koppelman podcast. He says:
“I came in after the director’s cut. I have a screenplay credit in the arbitration that was easily won. I’ve never been interested in Star Wars, ever. So I had no reverence for it whatsoever. I was unafraid about that, and they were in such a swamp … they were in so much terrible, terrible trouble that all you could do was improve their position.
If you look at Rogue, all the difficulty with Rogue, all the confusion of it … and all the mess, and in the end when you get in there, it’s actually very, very simple to solve. Because you sort of go, ‘This is a movie where, folks, just look. Everyone is going to die.’ So it’s a movie about sacrifice.
So, it’s all a question about why are these [characters], why are all these people going to sacrifice themselves? And you need to motivate them with a purity throughout the [story] and every scene has to be about the movie. And so, is that a theme, that everyone’s going to die, sacrifice? In that sense, in that film, yeah, I thought about it.
I don’t think Rogue really is a Star Wars movie in many ways. To me, it’s a Battle of Britain movie.”
Star Ben Mendelsohn has previously indicated “an enormously different” version of the film exists which would’ve been Edwards’ early version. “Rogue One” scored solid reviews and earned more than $1 billion at the global box office. Gilroy adds he has no plans to return to the franchise.
In mid-2016, half a year before “Rogue One: A Star Wars Story” was set to premiere, Lucasfilm made the then unprecedented move of bringing in Oscar-nominated writer Tony Gilroy to re-work that first “Star Wars” spin-off.
At the time it was indicated the studio was unsatisfied with the state of the job that director Gareth Edwards had done and so brought in Gilroy to not only re-write but oversee reshoots and post-production on the film along with fixing several issues including the ending.
Gilroy was paid millions for his work, with estimates being that good 40% of the film is ultimately his. Now Gilroy is finally getting candid about his work on the film in a new episode of The Moment With Brian Koppelman podcast. He says:
“I came in after the director’s cut. I have a screenplay credit in the arbitration that was easily won. I’ve never been interested in Star Wars, ever. So I had no reverence for it whatsoever. I was unafraid about that, and they were in such a swamp … they were in so much terrible, terrible trouble that all you could do was improve their position.
If you look at Rogue, all the difficulty with Rogue, all the confusion of it … and all the mess, and in the end when you get in there, it’s actually very, very simple to solve. Because you sort of go, ‘This is a movie where, folks, just look. Everyone is going to die.’ So it’s a movie about sacrifice.
So, it’s all a question about why are these [characters], why are all these people going to sacrifice themselves? And you need to motivate them with a purity throughout the [story] and every scene has to be about the movie. And so, is that a theme, that everyone’s going to die, sacrifice? In that sense, in that film, yeah, I thought about it.
I don’t think Rogue really is a Star Wars movie in many ways. To me, it’s a Battle of Britain movie.”
Star Ben Mendelsohn has previously indicated “an enormously different” version of the film exists which would’ve been Edwards’ early version. “Rogue One” scored solid reviews and earned more than $1 billion at the global box office. Gilroy adds he has no plans to return to the franchise.
Sea como sea la película en su estado actual me parece una chufa con unos 15 minutos finales apañaos y tirando de nostalgia.
Hace tiempo vi este vídeo que resume con precisión prácticamente todos los problemas que tengo con la película:
Hace tiempo vi este vídeo que resume con precisión prácticamente todos los problemas que tengo con la película:
Elliott
Desconozco
algo de que la chica de ROGUE es pasiva...
MiguelGc
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Sigo pensando que Rogue One se usó como vehículo de propaganda en plena guerra de Siria y para que la gente empatizara consciente o inconscientemente con los rebeldes sirios. Todos los personajes rebeldes caracterizados como yihadistas, en diferentes facciones, una más moderada y otra más radical, ...y la actriz protagonista con rasgos y actitudes de mujer árabe.
La escena final rememorando los bombardeos rusos sobre Alepo, victimismo, etc...
La escena final rememorando los bombardeos rusos sobre Alepo, victimismo, etc...
Atreus
Snake Plissken
MiguelGc
Miembro habitual
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Hay más gente que opina parecido, y los insultos te los guardas , campeón
Rogue One: A Jihad Story
Rogue One: A Jihad Story