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Elliott
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ya veo que la cancion no ira en el disco, como paso con Adele o Chris Cornell...
frank zito
Miembro habitual
Viendo hace unos días ese atractivo western fantástico, “El Desafío del Búfalo Blanco” (1977), me di cuenta (no la recordaba) lo buena y misteriosa que es la BSO de John Barry.
Christian Troy
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Primeros clips de Spectre de Newman.
http://www.classicfm.com/composers/newman/news/james-bond-spectre-soundtrack/
http://www.classicfm.com/composers/newman/news/james-bond-spectre-soundtrack/
Peter Jackson
Pizza Time Dude!
Pues al final la verdadera razón de que Thomas Newman sustituyera a John Williams era porque le tenían que poner un MARCAPASOS...y el médico le dijo que NADA de actividad física durante 7 semanas...de ahí también que el proceso de composición y grabación de la nueva peli de Star Wars se esté alargando hasta estas fechas...
Aquí el extracto de la entrevista a Spielberg donde lo dice:
“Well, the music was by Thomas Newman, who has done a number of films for DreamWorks. He did American Beauty and Road to Perdition, a film that we made called How To Make An American Quilt, and he’s done a couple of scores for us… one especially, American Beauty, was a wonderful score. But John Williams, uh, you know, who is… John and I have worked together on every single movie until now. And John was writing Star Wars, and the deal we had with J.J. was that when I needed John, he’d stop writing Star Wars and he’d do the score – ‘Cause I only wanted 35 minutes of music. And John knew I needed, you know, 35-40 minutes of music in the whole film. I always wanted the entire opening to be no music at all, just the sounds of New York. [...] Music always elevates something, but I didn’t want any of this to be elevated at all, except for what we’ve all seen and experienced ourselves.
So John called me up, and it was the hardest phone call John ever had to make, and the hardest phone call I’ve ever had to hear. All I cared about was his health, but he had to have a – what do you call it – pacemaker put in. And the Doctor said – and his procedure went great, there was no complications, everything was fine – But the doctor said ‘you can’t write, you can’t conduct, you can’t do anything for seven weeks.’ So John called me and said “What am I gonna do, because I can’t do anything for seven weeks, and then I gotta get back and finish the Star Wars score”. So this is the… that’s the reason.
But I hired Thomas Newman because I always loved his music, and loved him as a person. But, John Williams is part of the Newman family! Alfred Newman, Tom Newman’s father, discovered John Williams, and John’s first job was – Alfred Newman, out of all the session pianists, Alfred Newman said “John I want you to play the piano on South Pacific with Mitzi Gaynor.” And so it was John’s first job, he was the session player on keyboard for South Pacific. And then Alfred started using him again and again, and then Alfred started getting him composing jobs. So John is a part of the Newman family, so it was like I didn’t go out of the family when I didn’t use John – I stayed in the family!”
The full interview (video) and pictures of the event can be found at DGA.org (the Williams/Newman part starts at 47:20)
Aquí el extracto de la entrevista a Spielberg donde lo dice:
“Well, the music was by Thomas Newman, who has done a number of films for DreamWorks. He did American Beauty and Road to Perdition, a film that we made called How To Make An American Quilt, and he’s done a couple of scores for us… one especially, American Beauty, was a wonderful score. But John Williams, uh, you know, who is… John and I have worked together on every single movie until now. And John was writing Star Wars, and the deal we had with J.J. was that when I needed John, he’d stop writing Star Wars and he’d do the score – ‘Cause I only wanted 35 minutes of music. And John knew I needed, you know, 35-40 minutes of music in the whole film. I always wanted the entire opening to be no music at all, just the sounds of New York. [...] Music always elevates something, but I didn’t want any of this to be elevated at all, except for what we’ve all seen and experienced ourselves.
So John called me up, and it was the hardest phone call John ever had to make, and the hardest phone call I’ve ever had to hear. All I cared about was his health, but he had to have a – what do you call it – pacemaker put in. And the Doctor said – and his procedure went great, there was no complications, everything was fine – But the doctor said ‘you can’t write, you can’t conduct, you can’t do anything for seven weeks.’ So John called me and said “What am I gonna do, because I can’t do anything for seven weeks, and then I gotta get back and finish the Star Wars score”. So this is the… that’s the reason.
But I hired Thomas Newman because I always loved his music, and loved him as a person. But, John Williams is part of the Newman family! Alfred Newman, Tom Newman’s father, discovered John Williams, and John’s first job was – Alfred Newman, out of all the session pianists, Alfred Newman said “John I want you to play the piano on South Pacific with Mitzi Gaynor.” And so it was John’s first job, he was the session player on keyboard for South Pacific. And then Alfred started using him again and again, and then Alfred started getting him composing jobs. So John is a part of the Newman family, so it was like I didn’t go out of the family when I didn’t use John – I stayed in the family!”
The full interview (video) and pictures of the event can be found at DGA.org (the Williams/Newman part starts at 47:20)
Peter Jackson
Pizza Time Dude!
A este señor, con ínfulas de Cardenal, Obispo o autoproclamado Papa de la música de cine en España deberían ajusticiarlo con esos metodos de la Inquisición que tanto le gusta comentar en FB...no sé...a lo mejor por sodomía.
Peter Jackson
Pizza Time Dude!
Preveo otro video del Sr.C.X. alegando que la música de Roque Baños es una música poco funcional y blablablablabla y que se ahoga en el mar que blablablabla...
Atreus
Snake Plissken
Varèse Xalabarder.
Christian Troy
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Algún día Jackson, nos contarás de donde sale el sarpullido que te provoca CX.
Destrozo algún trabajo tuyo?
Destrozo algún trabajo tuyo?
Elliott
Desconozco
ya circula la de Spielberg sin Johnny
oigo trompeta "americana" y cuerdas & madera mas pianito tytpical Tommy. Voy al final... noble pero sin triunfalismo. No acaba de despegar/concretar... Coros rusos en los End Titles??
oigo trompeta "americana" y cuerdas & madera mas pianito tytpical Tommy. Voy al final... noble pero sin triunfalismo. No acaba de despegar/concretar... Coros rusos en los End Titles??
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