Pues el señor Wilson no para. Ya en su libro hace un top ten de su discografía y adelanta el título de su álbum en solitario. En un principio tiene el título "The harmony codex".
Y en una entrevista le preguntan sobre este proyecto y dice:
What can listeners expect from your forthcoming 2023 solo album, The Harmony Codex?
It's going to maintain a lot of the musical vocabulary from The Future Bites, but it's going back into a more conceptual world, which is less about concise pop songs and more about experimentation. So, in the most simplistic terms, it might be somewhere between Hand. Cannot. Erase. and The Future Bites, but not like either of those records.
I'm really excited about it. I say that every time I have a new batch of songs, but there's really something unique about these songs. I have a feeling it could be a great record. I think the new album feels almost like the next step from The Future Bites, which was very streamlined and had a very strong pop sensibility. So, I asked myself “What am I going to do next, given that? Okay, I’m going to take those elements but place them withing something more ambitious.” Of course, everything informs everything else. So, I have tracks that have spiritual jazz elements, electronics, moments of progressive rock, voice manipulation, and modern DSP processing.
I think people who like Porcupine Tree are going to love the direction of this new album. It’s much more epic and uncompromising. It’s more complex and unpredictable to a degree. After people experience the mercurial nature of this Porcupine Tree album, I think they’re going to look at the new solo album and think highly of it.
Do you have a sense of the collaborators that you’d like to work with on your next solo album, Harmony Codex?
There’s one track with Ninet [Tayeb] on it, which is fabulous. She kind of wrote it, and we both duetted on it. So, the usual gang people, people that you will probably mostly recognize from my solo career.
You mentioned there’s going to be a spiritual jazz piece on the album.
That track’s about 11 minutes long called “Invisible Tightrope.” It’s a kind of mixture of spiritual jazz, progressive rock, electronic music, and even a bit of glitchtronica. It’s a real mash up. It’s got a little bit vocal on it, but mostly instrumental. It’s going to be a very diverse record, all over the place, but very sort of couldn’t give a fuck what anyone expects. It’s not that any of my records don’t fit that description, but I think even more so, this record is very indulgent in a good way.
Y en una entrevista le preguntan sobre este proyecto y dice:
What can listeners expect from your forthcoming 2023 solo album, The Harmony Codex?
It's going to maintain a lot of the musical vocabulary from The Future Bites, but it's going back into a more conceptual world, which is less about concise pop songs and more about experimentation. So, in the most simplistic terms, it might be somewhere between Hand. Cannot. Erase. and The Future Bites, but not like either of those records.
I'm really excited about it. I say that every time I have a new batch of songs, but there's really something unique about these songs. I have a feeling it could be a great record. I think the new album feels almost like the next step from The Future Bites, which was very streamlined and had a very strong pop sensibility. So, I asked myself “What am I going to do next, given that? Okay, I’m going to take those elements but place them withing something more ambitious.” Of course, everything informs everything else. So, I have tracks that have spiritual jazz elements, electronics, moments of progressive rock, voice manipulation, and modern DSP processing.
I think people who like Porcupine Tree are going to love the direction of this new album. It’s much more epic and uncompromising. It’s more complex and unpredictable to a degree. After people experience the mercurial nature of this Porcupine Tree album, I think they’re going to look at the new solo album and think highly of it.
Do you have a sense of the collaborators that you’d like to work with on your next solo album, Harmony Codex?
There’s one track with Ninet [Tayeb] on it, which is fabulous. She kind of wrote it, and we both duetted on it. So, the usual gang people, people that you will probably mostly recognize from my solo career.
You mentioned there’s going to be a spiritual jazz piece on the album.
That track’s about 11 minutes long called “Invisible Tightrope.” It’s a kind of mixture of spiritual jazz, progressive rock, electronic music, and even a bit of glitchtronica. It’s a real mash up. It’s got a little bit vocal on it, but mostly instrumental. It’s going to be a very diverse record, all over the place, but very sort of couldn’t give a fuck what anyone expects. It’s not that any of my records don’t fit that description, but I think even more so, this record is very indulgent in a good way.
