Eight Things Quentin Tarantino Said in Lyon About 1970 in the Movies | Variety
Está preparando un estudio sobre 1970 en el cine, no desde el punto de vista de director sino histórico y sociológico, aunque aún no sabe si va a tener forma "de libro, de podcast o de documental".
El pistoletazo de salida es una retrospectiva en Lyon en la que proyectará LOVE STORY, DEEP END, LA RODILLA DE CLARA, EL CARNICERO, MI VIDA ES MI VIDA, EL PÁJARO DE LAS PLUMAS DE CRISTAL, LA DAMA DEL COCHE CON GAFAS Y FUSIL, LA CARTA DEL KREMLIN, LA VIDA PRIVADA DE SHERLOCK HOLMES, M*A*S*H, MÁS ALLÁ DEL VALLE DE LAS MUÑECAS, NO SE COMPRA EL SILENCIO, AQUELLOS AÑOS y ZABRISKIE POINT.
In spending four years constantly looking at that year — and seeing what came before and what came afterwards — you start seeing patterns emerge. And one of the things that happened was there were a lot of promises made in cinema; of possibilities, of a new cinema. It was almost like an immigrant time [...] The New Hollywood had won the revolution, but whether it would survive was not clear, because cinema had changed so drastically that it had alienated a lot of the audience that Hollywood had counted on for years, and years, and years. Particularly the family audience, the audience that made “My Fair Lady” or “The Sound of Music” play for five years in movie theatres. That was the audience that Hollywood had always been trying to get; well, they abolished that audience.
